Welcome to my blog, a space where I explore the intersections of politics, culture, and radical thought through a Marxist and eco-socialist lens. I write about the ways capitalism shapes our world, how it seeps into art, film, TV, and literature, and what resistance can look like.

Through essays, reviews, and analysis, I aim to unpack the forces that drive our political and economic systems, and how they shape the culture we consume and create. Whether you’re here for political theory, cultural criticism, or just searching for alternative ways to think about the world, I hope this blog offers something valuable.

Join me in imagining what comes after capitalism.

Latest Musings:

The Exhaustion of Moral Capital

Moral capital was never just sympathy, it was a strategy. It allowed Israel to present itself as victim and victor, past sufferer and present enforcer. But capital is not infinite. What was once a shield has become a smokescreen. And in Gaza, that smokescreen has lifted.

The world is watching a nuclear-backed state starve and bomb a captive population, and still we are told this is security. But what happens when the story no longer convinces? What remains when the history runs out? Only the force. Only the ruin. Only the lie that it was ever anything else.

The Litigious President: Trump, Epstein, and the War on Journalism

The President has weaponised billion-dollar lawsuits to silence reporting, chill satire, and punish dissent. After ABC and CBS paid out millions, The Late Show with Stephen Colbert was cancelled days after mocking a Trump settlement. Now he’s suing Murdoch and the Wall Street Journal over a sketch linked to Epstein. This isn’t about truth. It’s about fear, and who’s allowed to speak.

More Musings:

The Exhaustion of Moral Capital

Moral capital was never just sympathy, it was a strategy. It allowed Israel to present itself as victim and victor, past sufferer and present enforcer. But capital is not infinite. What was once a shield has become a smokescreen. And in Gaza, that smokescreen has lifted.

The world is watching a nuclear-backed state starve and bomb a captive population, and still we are told this is security. But what happens when the story no longer convinces? What remains when the history runs out? Only the force. Only the ruin. Only the lie that it was ever anything else.

The Litigious President: Trump, Epstein, and the War on Journalism

The President has weaponised billion-dollar lawsuits to silence reporting, chill satire, and punish dissent. After ABC and CBS paid out millions, The Late Show with Stephen Colbert was cancelled days after mocking a Trump settlement. Now he’s suing Murdoch and the Wall Street Journal over a sketch linked to Epstein. This isn’t about truth. It’s about fear, and who’s allowed to speak.

The Butcher’s Apron: How the Far Right Got What It Wanted

Let’s not pretend this was ever about a child proud of her nation. It’s about the adults. Their performance, their grievance, their weaponisation of the flag. The far right didn’t stumble upon this story; they engineered it. A girl in a Union Jack dress becomes a national martyr, a school is hounded into closure, and the flag flies higher because of it. This isn’t about inclusion. It’s about intimidation. Once again, they’ve made the butcher’s apron the price of admission, and Labour’s too afraid to say otherwise.

Time to Face Facts: Bayrou, Budget Bombshells, and the Unthinkable Truth About Fortress Europe

Europe is not being overrun—it’s running out. Of workers, of births, of time. François Bayrou’s budget bombshell is less about fiscal rules than demographic reckoning. Fortress Europe clings to nostalgia while the tax base collapses. No amount of white-baby fantasies or border theatre will reverse the maths. The future demands what no mainstream party dares admit: migration, not austerity, is the condition of survival.

A weathered protest-style poster titled "THE ANOINTED FALLS" features a crumbling Roman-style statue of a robed male figure with an outstretched arm, half-submerged in a swamp. The black-and-white image is overlaid with red stencil graffiti reading “IT WAS A FRAUD,” “DRAIN THE SWAMP,” and “LOSER.” The poster’s edges are torn and stained, evoking a gritty, decayed aesthetic.

Dugin Watch: A Theology of Disappointment

Dugin is no longer prophesying. He’s grieving. What was once a militant theology of MAGA as civilisational rebirth has curdled into lament. Trump, the anointed disruptor, has become just another functionary—an “object,” not a “subject.” The Deep State wasn’t slain, the Epstein files remain sealed, Israel is unchallenged. Dugin’s dream wasn’t defeated in battle. It drowned in compromise.

A vintage, protest-style print featuring two empty wooden podiums positioned in front of large, grainy depictions of the UK and German flags. The image has a textured, screen-printed look in a red, black, and beige palette, evoking the visual language of 1968 political posters. The flags loom behind the podiums, slightly distorted and overlaid with halftone grit, suggesting absence, power, and ideological theatre.

The Treaty’s in the Mail

What began as rupture has returned as routine. Brexit survives not in open defiance, but in the quiet enforcement of borders, the bureaucratic choreography of treaties, and the managed reintegration of a Britain that still won’t say its name.

From Fordism to Fascist Nostalgia

There was a time when the production line ordered more than goods, it ordered life. Work meant wages, wages meant stability, and stability gave the illusion of progress. That was Fordism. What remains now is the shell of that promise, retrofitted as nationalist fantasy. The factory is gone, but its myth has been repurposed. Not to build, but to blame.

The Politics of Fear in Opposition

Philp’s not doing politics, he is doing panic. Jenrick’s dragging the whole Tory lot further right, and this is what’s left: no ideas, no plan, just enemies. Same fear, different headline.

A grainy, black-and-white brick wall with a faded Pride flag poster pasted in the centre. Spray-painted across the flag in bold red letters are the words “NEUTRALITY = COMPLICITY”. Below, in black stencilled text, it reads “TRANS RIGHTS ARE HUMAN RIGHTS”.

Against the Ruling: Pride, Policing, and the Politics of Supposed Impartiality

Neutrality in the face of injustice is not impartiality. This is complicity. The court’s ruling isn’t about keeping police out of politics; it’s about appeasing a reactionary movement that wants trans people pushed from public life. Today it’s Pride. Tomorrow it’s the right to celebrate Eid, to march for Black lives, to speak up for Palestine. The message is clear: visibility is permitted only for the unthreatening.

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