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Keir Starmer’s government has turned protest into a criminal offence, wielding counter-terror laws against pensioners, vicars, and schoolteachers while arms dealers cash in. This isn’t public safety, it’s the criminalisation of conscience.
The crimes of Dresden, Hiroshima, and Nagasaki were supposed to teach the world “never again.” Huckabee’s defence of Gaza’s destruction turns that into “do it again” — not moral clarity, but moral collapse.
Restore Britain isn’t an alternative to Farage — it’s his spawn, bred in the gaps when he feigns moderation. Their game isn’t winning elections, it’s shifting the boundaries of the possible until the grotesque feels ordinary.
Israel killed Anas al-Sharif because it feared what he could still show the world.
Jenrick’s “medieval attitudes” line isn’t about protecting women — it’s about importing the far right’s script into the Tory mainstream. From Powell to Farage, the cast has changed but the grammar is the same: the outsider as danger, the nation as victim, the politician as saviour.
Keir Starmer’s proscription of Palestine Action marks a new stage in Britain’s authoritarian turn, retooling counter-terrorism laws to criminalise dissent, define solidarity as “terrorism”, and dress up political repression as public safety.
Gilbert Achcar’s The Gaza Catastrophe is not a plea for sympathy. It is a political weapon. Written in the midst of genocide, it strips away the euphemisms, the diplomatic theatre, and the moral fog. This war, he argues, is a settler-colonial project. Accelerated to its most brutal form, with the full backing of the Western powers who claim to uphold human rights. Achcar names the system, maps its historical scaffolding, and indicts not only Israel but the global order that enables it. This is not a book of mourning. It is a call to act.
Right to Buy was never just a housing policy. It was a weapon. It stripped councils of their power, turned tenants into property owners, and recast collective provision as individual gain. The result wasn’t freedom but fragmentation: social housing gutted, rents soaring, and the right to strike undermined by the threat of eviction. Thatcher didn’t just sell homes. She sold a new class alignment, and we’re still living in its ruins.
The arrest of Mahmoud Khalil is not just an attack on one activist, it is a chilling demonstration of how the state can manufacture criminality in real time, silencing dissent without justification or consequence.
Donald Trump claimed he would end the war in Ukraine on “day one,” yet 54 days into his presidency, the conflict rages on, because his so-called peace plan is nothing more than a capitulation to Putin’s imperial ambitions.
The ruins Owen Hatherley documented over a decade ago, of modernist ambition, of public housing, of a Britain that once believed in itself, have only deepened, and with a new New Labour government poised to repeat the same failed housing policies, the cycle of speculation, privatisation, and social cleansing shows no sign of ending.
Hal Draper’s ‘America as Overlord’ is a study of imperial necessity, how the United States became the regulator of global capitalism, why its dominance persisted, and what happens when the system it upholds begins to fracture.
In 2024, as the old narratives collapse and the sense of waiting tightens into dread, Joan Didion’s work feels less like a record of the past than a map of the present.
Algorithmic management does not simply discipline workers; it renders the very logic of their exploitation opaque, and in Cyberboss, Craig Gent dissects this transformation with forensic precision.