The People Are the Problem
On Larry Alan Busk’s Democracy in Spite of the Demos
The rest of the blog
On Larry Alan Busk’s Democracy in Spite of the Demos
Lee Anderson doesn’t want a solution—he wants a stage, and the small boats crisis is just the latest prop in Britain’s long-running theatre of cruelty
Starmer’s weapons pipeline is less about deterring war and more about embedding militarism into the heart of Britain’s economic model.
Ryan’s Second Strike is a taut, post-Brexit techno-thriller in which privatised warfare meets Cold War ghosts, and the real enemy is the story you’re told to believe.
Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.
Britain doesn’t need a softer Starmer or a greener liberalism—it needs a new party of revolutionary ecosocialism, built by those brave enough to walk out and fight for class power, not manage its decline.
The arrest of Mahmoud Khalil is not just an attack on one activist, it is a chilling demonstration of how the state can manufacture criminality in real time, silencing dissent without justification or consequence.
Donald Trump claimed he would end the war in Ukraine on “day one,” yet 54 days into his presidency, the conflict rages on, because his so-called peace plan is nothing more than a capitulation to Putin’s imperial ambitions.
The ruins Owen Hatherley documented over a decade ago, of modernist ambition, of public housing, of a Britain that once believed in itself, have only deepened, and with a new New Labour government poised to repeat the same failed housing policies, the cycle of speculation, privatisation, and social cleansing shows no sign of ending.
Hal Draper’s ‘America as Overlord’ is a study of imperial necessity, how the United States became the regulator of global capitalism, why its dominance persisted, and what happens when the system it upholds begins to fracture.
In 2024, as the old narratives collapse and the sense of waiting tightens into dread, Joan Didion’s work feels less like a record of the past than a map of the present.
Algorithmic management does not simply discipline workers; it renders the very logic of their exploitation opaque, and in Cyberboss, Craig Gent dissects this transformation with forensic precision.