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A realist oil painting shows a Joan of Arc–like figure in medieval armour standing amid urban chaos. Flames engulf the street, sending black smoke into the air as police and emergency vehicles appear in the background. She raises a banner with a red cross high above her head while holding a sword at her side
Britain

The Free Speech Martyrdom of Lucy Connolly

Keir Starmer’s law-and-order theatrics have handed the far right its new saint: a self-styled free speech Joan of Arc—except this saint didn’t want to be burned, she wanted others to be.

Britain

The Law, the Hotel, and the Vanishing Migrant

Paul Bristow cites the Epping Forest ruling to demand hotel closures for asylum seekers, but offers no plan for what follows. The Conservatives built the hotel system; Labour inherits it; local politicians weaponise planning law while migrants disappear from view.

Keir Starmer

Dawn Raids and Banned Placards

The arrest of a part-time cleaner for sharing Facebook posts backing Palestine Action shows how Britain’s response to Gaza has drifted from foreign policy into domestic repression.

Britain

The Provincial Mussolinis

Farage brings the noise, Starmer brings the law. The country falls apart to the sound of flags snapping and doors slamming while capital quietly clears the till.

Robert Jenrick stands on a ladder attached to a lamppost, giving a thumbs-up while raising a Union Jack flag. The background shows a cloudy sky, rooftops, road signs, and a quiet road stretching into the distance.
Conservative Government

Provincial Mussolini on a Ladder

Robert Jenrick’s Union Jack pantomime isn’t patriotism; it’s a confession of weakness. A dying political class turns to flags and ladders because it has nothing left to offer but theatre.

The International Criminal Court in The Hague, with the blue ICC sign in front of a modern glass building complex.
International Criminal Court

The Court in the Dock: Washington and Tel Aviv vs International Law

By sanctioning International Criminal Court judges and prosecutors, Trump’s America has openly declared that empire stands above the law. Europe and Britain now face a stark choice: defend the court’s independence, or accept a world where justice stops at Washington’s door.

Labour Councils

Planning Permission for Exclusion

The High Court’s ruling in Epping shows how Britain has turned planning law into a border regime, feeding jealous politics of scarcity and erasing the very category of the refugee. Now with Labour councils as willing collaborators.

A black-and-white satirical cartoon depicts a stern Daily Mail journalist dressed as a judge in full wig and robe, holding a gavel in one hand and a sign reading “GUILTY” in the other. He stands on a gallows platform beside a hanging noose, with the caption below reading “JUDGE, JURY AND EXECUTIONER.” The title “DAILY MAIL” looms overhead, suggesting the paper acts as a one-man court of condemnation.

Hodges’s Courtroom: Palestine Action on Trial

Dan Hodges’s Mail column denouncing Palestine Action as “terrorists” is not journalism but ideological policing, an attempt to criminalise dissent while excusing the real violence: Britain’s complicity in Gaza’s destruction.

A large U.S. Air Force plane on a runway, with crowds of people running around it. The scene is rendered in flat tones of teal, red, orange, and yellow, giving it a distressed newsprint effect.

To Lose a War

Jon Lee Anderson’s To Lose a War is a correspondent’s chronicle of America’s twenty-year occupation of Afghanistan: vivid, textured, and damning in its account of how an empire mistook firepower for authority and was undone by an enemy that understood time better than it did.

A satirical political cartoon shows a caricature of Donald Trump in a suit and blue tie on the left, with a long red carpet unfurling from his open mouth like a tongue. On the right, a caricature of Vladimir Putin in a dark suit and tie steps confidently onto the carpet, looking toward Trump with a smug expression. The background is plain and muted, drawing focus to the exaggerated figures and the symbolic red carpet.

Fawning to Putin in Alaska

Trump’s Alaska summit with Putin wasn’t diplomacy. It was pure theatre. No ceasefire, no deal, just a spectacle in which Trump played host, rolling out the red carpet for Putin while Ukraine burned in the background.

illustration of a skeleton hunched over reading a copy of the Daily Mail, surrounded by crumpled newspapers on the floor, in muted beige, black, and faded red tones with rough, distressed edges.

The Anatomy of a Mail Article

The Daily Mail’s “migrant hotel” coverage isn’t just selective, it’s structural. By merging separate legal matters, foregrounding asylum status, and importing political imagery, it constructs a narrative in which migration itself becomes the crime.

Halftone image in black, deep red, and beige. In the foreground, a man’s silhouette leans forward aggressively, mouth open mid-shout, finger pointed at a smaller, upright figure in the corner. Vertical prison bars dominate the red background, evoking confinement and humiliation.

The Theatre of Occupation

Ben Gvir’s prison-cell confrontation with Marwan Barghouti is not security but theatre, a staged humiliation designed to rally the far-right and remind Palestinians that even their most prominent leaders can be silenced. Occupation thrives on such performances; the degradation is the point.

Grainy black-and-white image showing a masked, heavily armed ICE officer in tactical gear dominating the foreground, with other armed officers and a man in a white shirt filming them in the blurred background, creating a tense, menacing atmosphere.

Newsom Just Got a Lesson in How Authoritarianism Works. Now He Needs to Act

Trump didn’t send dozens of masked federal agents to Little Tokyo to enforce the law, he sent them to send a message. If Newsom really means it when he says California won’t be intimidated, the answer isn’t just outrage. It’s cutting every state pipeline that makes ICE’s work fast, easy, and invisible.

Burial Rites: The E1 Project and the End of Pretence

Bezalel Smotrich’s plan to build more than 3,000 homes in the E1 corridor is not a provocation. This is the burial of a Palestinian state. Populated through state-subsidised domestic relocation and diaspora recruitment from Queens to Moscow, E1 will sever the West Bank, cement annexation, and prove once again that without sanctions, arms embargoes, and trade penalties, international recognition of Palestine is an empty gesture.

Black-and-white halftone-style collage combining three elements: the 1924 Daily Mail “Civil War Plot by Socialists’ Masters” headline, a photograph of Enoch Powell speaking at a microphone and holding papers, and a lower strip showing a line of police clashing with protesters, evoking themes of political unrest and authoritarian response in Britain.

The Right’s Civil War Fantasies – and the Britain They Are Trying to Build

The right’s talk of a “coming civil war” is not a forecast as such, but a repeated political script. From the Ulster gun-runners of 1914 to Powell’s “rivers of blood” and today’s viral predictions of ungovernable cities, the plot is always the same: declare an existential threat, build the apparatus to counter it, and keep the threat just far enough away that the apparatus becomes permanent. The danger is not that Britain will descend into the racial-ethnic conflict of their imagination, but that we will sleepwalk into the authoritarian Britain they need to “prevent” it.