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Close-up of a British two pence coin, copper-coloured, showing a heraldic lion in a crosshatched frame with fleur-de-lis corners and the words “TWO PENCE” at the top.
Labour Government

Rachel Reeves and the 2p Trap

The chancellor’s proposed income tax shuffle is clever accountancy but toxic politics — a pledge-break disguised as fiscal discipline, and proof that Labour has trapped itself in rules it cannot escape.

An illustration of a red fish (Herring) in profile against a pale background, with the words “RED TERROR” in bold black capitals beneath it.
Charlie Kirk

Red Herring, Not Red Terror

David Frost calls it a new “Red Terror.” The truth is plainer: it’s the Right’s wars, coups and crackdowns that have spilt the deepest blood in politics.

Donald J Trump

The Invention of the Narco-Terrorist

Trump’s latest “kinetic strike” killed three unknown Venezuelans he labelled “narco-terrorists.” The phrase is not law but incantation, a word that strips away humanity and legitimises killing. From Vietnam body counts to Obama’s “signature strikes,” America has always named its enemies into existence, and into death.

Britain

Beyond Creeping Fascism

To call Robinson’s rally “populist” or “right-wing” is to miss the point. Fascism doesn’t require every marcher to be a coherent ideologue; it requires a mass, a scapegoat, and leaders prepared to turn grievance into violence. That is what we saw in London.

Screenshot of a Telegraph article by Camilla Tominey titled “The killing of Charlie Kirk shows just how poisonous Left-wing politics now is,” with the subheading “Speech has consequences – we have once more learnt that lesson from the horrifying events in Utah.” Below the headline is a photo showing two people in jeans holding a poster with a portrait of Charlie Kirk.
Camilla Tominey

Tominey’s doublethink

Camilla Tominey’s sainthood act for Charlie Kirk trades politics for piety. The Right already owns the machinery (press, finance, courts, police) and Kirk was part of the drive shaft. A death certificate doesn’t wash clean a career built on making violence respectable.

Britain

Flatlining Growth, Rising Crisis

The ONS reports zero growth in July. The papers call it “grim news” for Rachel Reeves. In reality, it is the latest entry in a long obituary for British capitalism — a system now sustained only by euphemism, stagnation, and decline.

A black-and-white satirical cartoon depicts a stern Daily Mail journalist dressed as a judge in full wig and robe, holding a gavel in one hand and a sign reading “GUILTY” in the other. He stands on a gallows platform beside a hanging noose, with the caption below reading “JUDGE, JURY AND EXECUTIONER.” The title “DAILY MAIL” looms overhead, suggesting the paper acts as a one-man court of condemnation.

Hodges’s Courtroom: Palestine Action on Trial

Dan Hodges’s Mail column denouncing Palestine Action as “terrorists” is not journalism but ideological policing, an attempt to criminalise dissent while excusing the real violence: Britain’s complicity in Gaza’s destruction.

A large U.S. Air Force plane on a runway, with crowds of people running around it. The scene is rendered in flat tones of teal, red, orange, and yellow, giving it a distressed newsprint effect.

To Lose a War

Jon Lee Anderson’s To Lose a War is a correspondent’s chronicle of America’s twenty-year occupation of Afghanistan: vivid, textured, and damning in its account of how an empire mistook firepower for authority and was undone by an enemy that understood time better than it did.

A satirical political cartoon shows a caricature of Donald Trump in a suit and blue tie on the left, with a long red carpet unfurling from his open mouth like a tongue. On the right, a caricature of Vladimir Putin in a dark suit and tie steps confidently onto the carpet, looking toward Trump with a smug expression. The background is plain and muted, drawing focus to the exaggerated figures and the symbolic red carpet.

Fawning to Putin in Alaska

Trump’s Alaska summit with Putin wasn’t diplomacy. It was pure theatre. No ceasefire, no deal, just a spectacle in which Trump played host, rolling out the red carpet for Putin while Ukraine burned in the background.

illustration of a skeleton hunched over reading a copy of the Daily Mail, surrounded by crumpled newspapers on the floor, in muted beige, black, and faded red tones with rough, distressed edges.

The Anatomy of a Mail Article

The Daily Mail’s “migrant hotel” coverage isn’t just selective, it’s structural. By merging separate legal matters, foregrounding asylum status, and importing political imagery, it constructs a narrative in which migration itself becomes the crime.

Halftone image in black, deep red, and beige. In the foreground, a man’s silhouette leans forward aggressively, mouth open mid-shout, finger pointed at a smaller, upright figure in the corner. Vertical prison bars dominate the red background, evoking confinement and humiliation.

The Theatre of Occupation

Ben Gvir’s prison-cell confrontation with Marwan Barghouti is not security but theatre, a staged humiliation designed to rally the far-right and remind Palestinians that even their most prominent leaders can be silenced. Occupation thrives on such performances; the degradation is the point.

Grainy black-and-white image showing a masked, heavily armed ICE officer in tactical gear dominating the foreground, with other armed officers and a man in a white shirt filming them in the blurred background, creating a tense, menacing atmosphere.

Newsom Just Got a Lesson in How Authoritarianism Works. Now He Needs to Act

Trump didn’t send dozens of masked federal agents to Little Tokyo to enforce the law, he sent them to send a message. If Newsom really means it when he says California won’t be intimidated, the answer isn’t just outrage. It’s cutting every state pipeline that makes ICE’s work fast, easy, and invisible.

Burial Rites: The E1 Project and the End of Pretence

Bezalel Smotrich’s plan to build more than 3,000 homes in the E1 corridor is not a provocation. This is the burial of a Palestinian state. Populated through state-subsidised domestic relocation and diaspora recruitment from Queens to Moscow, E1 will sever the West Bank, cement annexation, and prove once again that without sanctions, arms embargoes, and trade penalties, international recognition of Palestine is an empty gesture.

Black-and-white halftone-style collage combining three elements: the 1924 Daily Mail “Civil War Plot by Socialists’ Masters” headline, a photograph of Enoch Powell speaking at a microphone and holding papers, and a lower strip showing a line of police clashing with protesters, evoking themes of political unrest and authoritarian response in Britain.

The Right’s Civil War Fantasies – and the Britain They Are Trying to Build

The right’s talk of a “coming civil war” is not a forecast as such, but a repeated political script. From the Ulster gun-runners of 1914 to Powell’s “rivers of blood” and today’s viral predictions of ungovernable cities, the plot is always the same: declare an existential threat, build the apparatus to counter it, and keep the threat just far enough away that the apparatus becomes permanent. The danger is not that Britain will descend into the racial-ethnic conflict of their imagination, but that we will sleepwalk into the authoritarian Britain they need to “prevent” it.