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The Room for Best

Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.

Pencil drawing inside prison

No More Cells

They say prisons are overcrowded, as if the cages are too small. As if the problem is spatial. As if all we need is a few more acres of razor wire and reinforced concrete and the crisis will vanish. But prisons aren’t full because we lack space. They’re full because we lack imagination.

The Room for Best

Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.

The Sad Technocrat

Michel Houellebecq’s Annihilation is a novel about the end of things: not apocalypse, not collapse, but the quieter, lonelier ruin of meaning in a technocratic capitalism that no longer pretends to offer hope.

"fighting for rights in the gig economy" by davide.alberani is licensed under CC BY-SA 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/2.0/?ref=openverse.

Reclaiming the Language of Class

Simon Pearson argues that Marxists must revive class-based language and analysis of capitalism’s exploitation to connect today’s diverse struggles against inequality and build mass working class power.

The cover of this weeks New Statesman

The New Statesman: A Weekly Read Worth the Wait

A sit-down with this week’s New Statesman magazine reveals John Gray’s analysis on technocratic language, Adrian Pabst’s commentary on higher education, Andrew Marr and Wolfgang Münchau’s insights on bourgeois politics, and a warning on trans hate from a recent podcast on the CPAC conference in the US.

England and Labour: Nation or Class?

Responding to Labour’s ‘patriotic’ turn, I examine how England is contested, and how class – not nationalism – offers the best political lens for socialists.