The rest of the blog
Crisis is the word that keeps coming back to haunt us. Whether it’s the crisis of democracy, the crisis of liberalism, or the overarching notion of a time of crisis, we seem perpetually embroiled in a state of polycrisis.
The assassination attempt on Donald Trump has spotlighted a troubling paradox: why do liberal institutions and figures often defend fascist politicians, even when these politicians espouse values antithetical to liberalism? This article delves into the inherent contradictions within liberalism that lead it to shield authoritarian figures like Trump, arguing that these actions reveal a deeper alignment with capitalist interests and a fear of revolutionary change.
The COVID-19 pandemic has revealed the weaknesses of global health systems under capitalism, showing how profit-driven intensive farming and environmental degradation heighten the risk of future pandemics, such as the persistent threat of H5N1 avian flu.
Marine Le Pen’s rise in French politics, often attributed to immigration and crime, is more accurately understood as a reaction to the economic exploitation and inequality perpetuated by the capitalist system.
As Farage’s Reform Party gains traction, the rise of right-wing populism across Europe signals a looming threat to UK stability and democracy.
Sidney Lumet’s “The Hill” (1965) is a harrowing exploration of the human cost of military service and colonialism, set against the harsh realities of a British military prison during World War II.
From the cult-like following of visionaries like Elon Musk to the polarising influence of figures such as Donald Trump, we explore how the digital age’s most prominent personalities contribute to and thrive within the ever-evolving spectacle that captivates and divides our global society.
The realm of the spectacle is a treacherous landscape, where commodities distort truth and opinions manipulate desires. The United Kingdom’s decision to wage war in Iraq stands as a chilling testament to this phenomenon. In this post, we will explore how words and images were craftily deployed to create a mirage of deception and illusion, justifying the invasion. We will delve into the roles played by key figures like Tony Blair and Alastair Campbell, as well as the influence of the neoconservative agenda, in shaping this narrative. In the end, the consequences of this sinister dance between truth and spectacle emerge from the shadows, providing a harrowing reminder of the dangers of succumbing to the allure of falsehoods and manipulation.
Using Guy Debord’s concept of the spectacle to examine imperialism.