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Screenshot of a Daily Mail headline by Frank Furedi reading: "We've been silenced on mass migration and the nation's furious. All it will take is one spark and tinderbox Britain will go up in flames: FRANK FUREDI." Below the headline, it notes the article was published at 01:10 on 24 July 2025 and updated at 09:25 the same day. The Mail logo appears at the top left.
Far Right Extremism

Britain Will Not Burn – But Furedi Wants It To

Frank Furedi claims the public has been silenced, while shouting from the pages of the Daily Mail. What he’s really mourning is the loss of uncontested dominance: the fantasy of a Britain where dissent means agreeing with him. This isn’t analysis, it’s a staged panic, designed to justify repression and launder far-right talking points as common sense. Britain isn’t a tinderbox. But pieces like this are trying hard to make it one.

In red ink on textured beige paper, a line of riot police with visors and shields confronts an angry crowd. One masked protester is being pulled back mid-leap. The figures are stylised and simplified, with harsh lines and dramatic motion, evoking urgency and confrontation. In the background, blocky lettering hints at a school building.
Britain

The Hotels Are Just the Excuse

The protests outside migrant hotels aren’t spontaneous. They are engineered. Stoked by far-right groups, amplified by the right-wing press, and legitimised by political cowardice, what we’re witnessing is a strategic campaign to turn fear into power. When the police protect anti-racists, it’s called provocation. When the far right throws bottles, it’s “community concern.” The hotels are just the excuse. The real target is the idea that Britain could ever belong to all of us.

A screenshot of The Telegraph’s website front page. The main headline reads: “Police take pro-migrant protesters to asylum hotel.” The subheading says, “Essex officers brought counter-demonstrators to face angry residents, claim witnesses.” Beside the text is an image of uniformed police officers in high-visibility jackets standing in front of a group of pro-migrant protesters holding “Stand Up to Racism” placards. A black Jeep with a visible rear wheel is parked in the foreground. The scene takes place outside the Bell Hotel in Clacton-on-Sea. The mood is tense, with the police forming a line between protesters and onlookers.
Far-Right

The Telegraph’s Riot: When Anti-Fascists Become the Problem

While far right mobs are framed as “concerned locals”, anti-fascists are treated as the threat. The police escort becomes the scandal, not the fact that far-right demonstrators are being allowed to dominate England’s streets with near impunity. When the media sides with the mob, resistance is rebranded as provocation.
Britain

The Patriarchy in Uniform: Reform UK’s Law and Order Is a War on Women

When Reform UK’s justice spokesperson declared she would “much rather see a great big strapping male police officer with a female,” she wasn’t just airing a preference. Pochin was laying out a worldview. One where women are too vulnerable to patrol alone, too soft for frontline work, and too inconvenient to be equal. As under Trump, so under Farage: the creeping politics of patriarchy, where power is always male, and women are tolerated only if they stay in their place.
Britain

The Real Arsonists of Social Cohesion

The English disease is back. While Scotland holds the line with civic identity and social solidarity, England is once again the testing ground for far-right mobilisation and state complicity. From hotel sieges in Epping to flag-waving standoffs in Norfolk, this isn’t about deprivation alone. This is nationalism curdled into grievance, stoked by those who know exactly what they are doing. And the only person who benefits from this is the man rubbing his hands together, whispering told you so, told you so, and you all know exactly who that is: Nigel Farage.
Britain

Unbinding the State: On Suella Braverman’s Plan to Leave the ECHR

Braverman’s plan to leave the ECHR isn’t legal reform, it’s preparation for rule without restraint. Like the ERG before her, she wraps authoritarian ambition in the language of sovereignty. Strip away the rhetoric and what’s left is a state unbound, a state that punishes, not protects. If she jumps to Reform UK, this plan becomes reality.

The Exhaustion of Moral Capital

Moral capital was never just sympathy, it was a strategy. It allowed Israel to present itself as victim and victor, past sufferer and present enforcer. But capital is not infinite. What was once a shield has become a smokescreen. And in Gaza, that smokescreen has lifted.

The world is watching a nuclear-backed state starve and bomb a captive population, and still we are told this is security. But what happens when the story no longer convinces? What remains when the history runs out? Only the force. Only the ruin. Only the lie that it was ever anything else.

Digital illustration of the International Criminal Court building in The Hague. The image uses a limited palette of teal, turquoise, muted beige, and deep blue. The building’s modern glass facade is simplified into geometric blocks, and the foreground features a bold sign with the ICC’s logo and name in French and English. The overall effect evokes mid-century graphic design, with clean lines, high contrast, and a subdued, politically charged tone.

When the Powerful Kill: Why Israel and Russia Get Away with War Crimes

The phrase “rules-based international order” has become a punchline. When Russia bombs a maternity hospital, it’s a war crime. When Israel flattens a refugee camp, it’s self-defence. The ICC pursues African warlords and Balkan generals with zeal—but stalls or retreats when the accused are allies of Washington or clients of London. The problem isn’t that international law exists. It’s that it doesn’t apply to everyone. War crimes are prosecuted not on the basis of what’s done, but who does it, and who they do it for.

A stylised protest-poster-style illustration in red, black, and beige tones. A punk musician with dreadlocks stands onstage holding a microphone and raising a Palestinian flag triumphantly, facing a cheering crowd with raised fists. Behind him is scaffolding and a control booth, with onlookers observing from above. Bold text at the bottom reads: JUST PUNKS BEING PUNKS

The Lobby That Doesn’t Exist (But Everyone’s Afraid Of)

They came for Glastonbury, the BBC, and a punk band. Then they came for students, civil servants, and anyone else who dared speak clearly about Palestine. What we’re watching is not a debate—it’s a crackdown. Armed with legal threats, media outrage, and the ever-flexible label of antisemitism, Britain’s pro-Israel lobby doesn’t just influence politics. It polices speech. And when even a chant against a military force under ICC investigation is treated as hate speech, the message is clear: the violence can continue, but naming it is forbidden.

A square-cropped image featuring the bold black text "THE SAMSON OPTION" in all capital letters on a cream background. The second "O" in "OPTION" is stylised with the upper half containing the Israeli flag and the lower half the American flag, symbolising the book’s geopolitical focus

The Bomb in the Basement, the Bomb in the Mountains: Israel, Iran, and the Nuclear Hypocrisy of the West

The next state to cross the nuclear threshold won’t be doing anything new. It’ll be following the path Israel already took—building the bomb in secret, shielded by silence and strategic utility. The real precedent was set decades ago in the Negev. That’s the hypocrisy at the heart of the so-called international order: one bomb is a threat to civilisation, the other a pillar of it. This isn’t about non-proliferation. It’s about who gets to own the apocalypse.

Shock and Awe, but for Who?

Israel’s assault on Iran wasn’t an act of self-defence or solidarity with the oppressed—it was a theatre of imperial dominance, applauded by the West, sold as morality, and carried out with the full force of a nuclear-backed settler state.

A graphic that shows a bullet proof vest with the writing Press IDF spokesperson

Sympathy for the Occupier

Douglas Murray’s On Democracies and Death Cults isn’t journalism, it’s propaganda, where settler colonialism is recast as civilisation and Palestinian resistance is pathologised as a death cult. He doesn’t analyse October 7; he sanctifies it.

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