anti capitalist musings

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Accelerationism

Trump, Land, Dugin

Trump is not Land’s monarch nor Dugin’s tsar. He is their degraded symptom: the parody of a fascist synthesis of technology and tradition, replayed in the register of meme stock and casino populism.

Bossware

Stop, Go, Smile: The New Discipline of Bossware

From PwC’s colour-coded attendance dashboard to HSBC’s biometric checkpoints and the rise of Algorithmic Affect Management, the new wave of “bossware” represents less an innovation than the latest stage in capital’s long history of making workers legible. What began with the factory bell and the punch clock now extends to our faces, moods, and keystrokes.

Corbynism

The Party of Good Intentions

Zarah Sultana’s interview in Sidecar captures the anger at Labour’s complicity in genocide and austerity, but it risks becoming another broad reformist project, haunted by the ghosts of Corbynism—vulnerable to sect capture, parliamentary illusions, and the same popular-front logic that has historically disarmed the working class.

A satirical cartoon shows a battered wooden puppet painted with the Union Jack dangling limply on strings. The marionette is worn, chipped, and cracked, symbolising a weakened Britain. Behind it loom two large shadowy figures: one in a Nazi uniform, the other resembling Vladimir Putin. Both extend their hands to manipulate the strings, casting an ominous, ghostly control over the puppet.
History

The Faragist Fantasy: Britain Should Have Backed Hitler

Nigel Farage’s TikTok wunderkind wants us to imagine a Britain that never fought Hitler, kept its colonies, and models itself on Bukele’s prison state. This is not contrarianism; it is fascist nostalgia dressed up as common sense.

Donald Trump–like figure dressed in a tuxedo clapping enthusiastically, standing beside a stern Vladimir Putin–like figure holding a chained brown bear. The background is a dark curtain, giving the scene a theatrical, vaudeville atmosphere.
Donald J Trump

The Last Superpowers

Alexander Dugin calls the Trump–Putin summit in Anchorage “splendid,” insisting the US and Russia must find an “understanding as superpowers.” The problem is that this fantasy of bipolar order flatters two declining states while obscuring the real forces shaping the 21st century.

Donald J Trump

Trump’s Civil War Rehearsal

With armed red-state troops patrolling a blue city, Trump is not protecting Washington; he is rehearsing the mechanics of civil war.

A satirical illustration of a grand Gothic-style university building with a large sign out front that reads: “CLOSED TO THE LIKES OF YOU,” highlighting the exclusion of ordinary people from higher education.
Higher Education

Universities Were Never Meant for You

Every August, the right reheats its old contempt for higher education. Their complaint is not about debt or “Mickey Mouse” degrees, it is about closing the gates of knowledge, keeping universities for the dominant class and consigning everyone else to warehouses and call centres.

Halftone image in black, deep red, and beige. In the foreground, a man’s silhouette leans forward aggressively, mouth open mid-shout, finger pointed at a smaller, upright figure in the corner. Vertical prison bars dominate the red background, evoking confinement and humiliation.

The Theatre of Occupation

Ben Gvir’s prison-cell confrontation with Marwan Barghouti is not security but theatre, a staged humiliation designed to rally the far-right and remind Palestinians that even their most prominent leaders can be silenced. Occupation thrives on such performances; the degradation is the point.

Burial Rites: The E1 Project and the End of Pretence

Bezalel Smotrich’s plan to build more than 3,000 homes in the E1 corridor is not a provocation. This is the burial of a Palestinian state. Populated through state-subsidised domestic relocation and diaspora recruitment from Queens to Moscow, E1 will sever the West Bank, cement annexation, and prove once again that without sanctions, arms embargoes, and trade penalties, international recognition of Palestine is an empty gesture.

Steamships and Settlers

“Palestine is not a digression from the climate movement. It is its centre.” That’s the force of Andreas Malm’s pamphlet, The Destruction of Palestine Is the Destruction of the Earth. It doesn’t ask for reflection. It demands action. This isn’t a balanced account of Gaza or a theory of climate collapse. Instead it’s a weaponised intervention against the politics of impunity. What Malm offers is a raw and necessary link: between the bombs that fall on Jabaliya and the storms that drown Derna, between settler colonialism and fossil capital, between the rubble of Akka in 1840 and the rubble of Gaza in 2024. The pamphlet is furious, and entirely justified. It should be read, and used.

Stencil-style protest image in red and black showing a close-up of a man’s face with eyes closed. A cloth gag covers his mouth, printed with the words “CRITICISM OF ISRAEL IS NOT ALLOWED” in bold, black, uppercase letters.

The New Heresy: When Criticising Israel Becomes a Thought Crime

What’s being rolled out at Northwestern and other campuses is not a programme to protect Jewish students from abuse. It’s a mechanism to discipline campus speech, to teach students that anti-Zionism is taboo and that political critique must defer to geopolitical orthodoxy. It doesn’t mention the Nakba. It doesn’t mention the occupation. It doesn’t mention that many Jews oppose Zionism. These trainings don’t fight antisemitism, they flatten it into a tool of state ideology.

From “Feed the World” to Looking Away

Live Aid was forty years ago. Today, we are haunted once again by the images of starving children (and now, starving adults) in Gaza. But this time, it doesn’t seem to register. No concerts. No campaigns. No national reckoning. Why? Because the system can only process suffering when it’s stripped of politics. Ethiopia’s famine was framed as fate. Gaza’s is a siege, and Britain is complicit. That’s the difference.

The Exhaustion of Moral Capital

Moral capital was never just sympathy, it was a strategy. It allowed Israel to present itself as victim and victor, past sufferer and present enforcer. But capital is not infinite. What was once a shield has become a smokescreen. And in Gaza, that smokescreen has lifted.

The world is watching a nuclear-backed state starve and bomb a captive population, and still we are told this is security. But what happens when the story no longer convinces? What remains when the history runs out? Only the force. Only the ruin. Only the lie that it was ever anything else.

Digital illustration of the International Criminal Court building in The Hague. The image uses a limited palette of teal, turquoise, muted beige, and deep blue. The building’s modern glass facade is simplified into geometric blocks, and the foreground features a bold sign with the ICC’s logo and name in French and English. The overall effect evokes mid-century graphic design, with clean lines, high contrast, and a subdued, politically charged tone.

When the Powerful Kill: Why Israel and Russia Get Away with War Crimes

The phrase “rules-based international order” has become a punchline. When Russia bombs a maternity hospital, it’s a war crime. When Israel flattens a refugee camp, it’s self-defence. The ICC pursues African warlords and Balkan generals with zeal—but stalls or retreats when the accused are allies of Washington or clients of London. The problem isn’t that international law exists. It’s that it doesn’t apply to everyone. War crimes are prosecuted not on the basis of what’s done, but who does it, and who they do it for.

A stylised protest-poster-style illustration in red, black, and beige tones. A punk musician with dreadlocks stands onstage holding a microphone and raising a Palestinian flag triumphantly, facing a cheering crowd with raised fists. Behind him is scaffolding and a control booth, with onlookers observing from above. Bold text at the bottom reads: JUST PUNKS BEING PUNKS

The Lobby That Doesn’t Exist (But Everyone’s Afraid Of)

They came for Glastonbury, the BBC, and a punk band. Then they came for students, civil servants, and anyone else who dared speak clearly about Palestine. What we’re watching is not a debate—it’s a crackdown. Armed with legal threats, media outrage, and the ever-flexible label of antisemitism, Britain’s pro-Israel lobby doesn’t just influence politics. It polices speech. And when even a chant against a military force under ICC investigation is treated as hate speech, the message is clear: the violence can continue, but naming it is forbidden.

A square-cropped image featuring the bold black text "THE SAMSON OPTION" in all capital letters on a cream background. The second "O" in "OPTION" is stylised with the upper half containing the Israeli flag and the lower half the American flag, symbolising the book’s geopolitical focus

The Bomb in the Basement, the Bomb in the Mountains: Israel, Iran, and the Nuclear Hypocrisy of the West

The next state to cross the nuclear threshold won’t be doing anything new. It’ll be following the path Israel already took—building the bomb in secret, shielded by silence and strategic utility. The real precedent was set decades ago in the Negev. That’s the hypocrisy at the heart of the so-called international order: one bomb is a threat to civilisation, the other a pillar of it. This isn’t about non-proliferation. It’s about who gets to own the apocalypse.