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Grenfell Tower covered in white sheeting with large green heart symbols and the words "GRENFELL FOREVER IN OUR HEARTS" displayed at the top. A red construction lift runs vertically up the centre, with trees and lampposts in the foreground under a clear blue sky.
Britain

The Fire That Deregulation Built

Eight years on, Grenfell remains a wound that hasn’t healed. Netflix’s documentary gives voice to the survivors, while Peter Apps’s account lays bare the systemic failures that made the fire inevitable, and the justice that still hasn’t come.

A bold graphic emblem features a red silhouette of Donald Trump’s profile against a black background. His head merges into a stylised red and orange mushroom cloud, symbolising nuclear explosion. The composition is symmetrical and stark, evoking propaganda poster aesthetics.
Alexander Dugin

False Gods and Fallout: When Your Caesar Goes Globalist

Trump hasn’t changed, he’s doing what strongmen do: cutting deals, starting wars, appeasing generals. It’s Dugin who’s panicking. The fantasy’s collapsing, so he calls it a globalist takeover. The world isn’t ending. Just his script.

A cylindrical metal tin filled with bright red paint, sitting on a neutral grey surface. The paint is smooth and glossy, with the tin slightly scuffed, giving a utilitarian appearance.
direct action

Red Paint Is Not Terrorism

This is what it comes down to: the Labour government wants to put a group of activists who threw red paint at arms factories in the same legal category as ISIS.

Government Spending

Welfare Over Warfare

As Labour signs off on bombers and benefit cuts, Britain is being reshaped—not by necessity, but by choice. Welfare is being gutted while defence sails on untouched. This isn’t fiscal realism. It’s a war budget in peacetime.

A close-up image of tightly rolled newspapers stacked vertically, with dim, moody lighting and a grainy texture that gives the scene a vintage, noir atmosphere. Some headlines and columns are partially visible, adding to the sense of layered, obscured information.
Book Review

Who Gets to Tell the Story?

Journalism doesn’t need saving by those who made it toxic. Wright names the rot—Murdoch, the lobby, the Oxbridge cartel—and shows how the presses keeps running.

A dark, oil-painted 1950s-style illustration titled “Daddy’s Home” shows a stern, scowling man resembling Donald Trump standing in a doorway, holding a briefcase. He wears a black suit with a red tie and looms under dramatic lighting. To his left, a woman looks frightened, covering her mouth with her hand. In the foreground, a young boy with a furrowed brow glares angrily. The mood is tense and ominous, evoking themes of authoritarian return and domestic dread.
Donald J Trump

Daddy’s Home: Trump, NATO, and the Spectacle of Power

Trump didn’t just return to NATO; he returned as “Daddy”—a role not earned through diplomacy, but conjured through spectacle. Baudrillard warned that when image overtakes reality, politics becomes performance. The bombs may have hit Iran, but the real strike was rhetorical. What mattered wasn’t destruction, it was the appearance of obliteration, the meme of authority, the myth of restored order. In the empire of simulation, the sovereign returns not with treaties, but with merch.

Hand-painted protest signs displayed against a neutral background. One sign on brown cardboard reads “THEY SAY CUT BACK WE SAY FIGHT BACK” in bold black letters. Another, on black card, reads “NO CUTS TO PIP!” in large white letters. A third sign, painted blue and white, says “WELFARE NOT WARFARE,” with the word “NOT” inside a red prohibition circle. The style is bold, rough-edged, and defiant, evoking a DIY protest aesthetic.
Britain

Under Siege: Labour’s Crisis of Vision

Labour won power by promising stability, but what it offers now is paralysis. It has no strategy to counter Farage, no defence against a Tory right fightback, and no imagination to confront the ecological and economic shocks coming fast over the horizon. While Reform sets the agenda and the left reorganises, Starmer retreats into technocratic caution. The government is not leading Britain—it’s managing decline, and doing it badly. Unless Labour finds the courage to confront the forces tearing the country apart, it risks becoming the caretaker of its own collapse.

Front cover of the hardback version of The World After Gaza
Book Review

The World After Gaza – a short review*

Pankaj Mishra’s The World After Gaza is a searing indictment of Western complicity in Israeli aggression, exposing the ideological, economic, and political forces that have enabled the destruction of Palestine.

Neil Faulkner: The Historian as Revolutionary

I knew the late Neil Faulkner, and I have always meant to review his last book; he was a storyteller, a fighter, and one of the great Marxist historians, someone who could hold a room and remind you that history is not past but struggle.

Front cover of Cybernetic Circulation Complex: Big Tech and Planetary Crisis by Nick Dyer-Witheford and Alessandra Mularoni

The DOGE Days Are Here

Nick Dyer-Witheford and Alessandra Mularoni’s Cybernetic Circulation Complex: Big Tech and Planetary Crisis, recently published by Verso, is more than a critique, it’s an intellectual war machine. They chart how the CCC has reshaped the global economy, from Amazon’s AI-driven logistics empire to the speculative bubbles propping up Tesla and Google. They expose how Big Tech’s far-right accelerationists, from Andreessen to Thiel, are using crisis to rewire the state itself. The choice, they argue, is stark: biocommunism or extinction.

Dystopian global war.

A Critique of “A Global War Regime”

Michael Hardt and Sandro Mezzadra’s article “A Global War Regime” examines the interplay between militarisation and capitalist structures, yet, from a Marxist perspective, it overlooks crucial aspects like class struggle, the state’s role, and the ideological mechanisms underpinning militarisation.

"fighting for rights in the gig economy" by davide.alberani is licensed under CC BY-SA 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-sa/2.0/?ref=openverse.

Reclaiming the Language of Class

Simon Pearson argues that Marxists must revive class-based language and analysis of capitalism’s exploitation to connect today’s diverse struggles against inequality and build mass working class power.

Statue of Karl Marx

Redeeming Marx’s “Jewish Question”?

Karl Marx’s controversial 1844 essay “On the Jewish Question” has sparked heated debate over whether it reflects antisemitism or offers insights into capitalism’s exploitative nature. This essay examines Marx’s inflammatory rhetoric and problematic stereotypes while also considering the enduring relevance of his critique of commodification and alienation.

The Capitalist Roots of the Climate Crisis: The Imperative for System Change

With the climate crisis intensifying, net zero emissions by 2050 has emerged as a key policy goal to limit global warming, but its feasibility and fairness are contested across the political spectrum. This post argues for ambitious climate action to reach net zero, situating the debate within broader capitalist critiques and speculative futures.

A portrait of Karl Marx as if painted by Roy Lichtenstein

Althusser’s Theory of History Today

In this post, I look at Althusser’s theory of history, why it’s still important and how it can help us understand the complicated social structures of today. By looking at modern examples like the rise of tech giants, the debate over climate change, and the rise of populism, we can see how Althusser’s ideas still give us important insights into how economic, political, and ideological forces work together to shape our world.