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Book cover of "Murderland: Crime and Bloodlust in the Time of Serial Killers" by Caroline Fraser. The design features a monochrome photo of a man's face—partially obscured—with a superimposed industrial landscape and plume of smoke, blending the imagery of a serial killer with a polluted, foreboding environment. The title is in bold yellow text at the top, and the author's name appears at the bottom in yellow, noting her as the Pulitzer Prize-winning author of "Prairie Fires".

The Crazy Wall

Caroline Fraser’s Murderland dismantles the voyeurism of true crime by tracing serial murder not to aberrant monsters but to the poisoned infrastructures, institutional apathy, and cultural amnesia that made their violence possible.

Painting of Stuart Hall produced by Ai

Forceful Irony: Policing & Power

Through the ideas of Stuart Hall, this post looks at the persistent problems of the Metropolitan Police and the complicated relationship between policing, power, and social inequality.

A graphic from the Tories twitter campaign on "We Must Stop the Boats"

The Tories’ Creeping Fascism: Manipulating the Media and Demonising Migrants

This post explores the growing threat of creeping fascism in the UK political landscape, particularly within the Conservative Party. It examines recent actions by the government, including the exclusion of critical media outlets from the Home Secretary’s trip to Rwanda and the policy to deport asylum seekers, in light of the “creeping fascism” thesis. The post argues that the Tories’ use of jingoistic and anti-immigrant rhetoric is a deliberate tactic to distract from the real issues facing the UK and consolidate their power.