
Rachel Reeves and the 2p Trap
The chancellor’s proposed income tax shuffle is clever accountancy but toxic politics — a pledge-break disguised as fiscal discipline, and proof that Labour has trapped itself in rules it cannot escape.
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The chancellor’s proposed income tax shuffle is clever accountancy but toxic politics — a pledge-break disguised as fiscal discipline, and proof that Labour has trapped itself in rules it cannot escape.

More than 200,000 young men aren’t “signed off for life”—they are the reserve army of labour, conscripted into the Telegraph’s morality tale to prepare the ground for austerity.

David Frost calls it a new “Red Terror.” The truth is plainer: it’s the Right’s wars, coups and crackdowns that have spilt the deepest blood in politics.

Trump’s latest “kinetic strike” killed three unknown Venezuelans he labelled “narco-terrorists.” The phrase is not law but incantation, a word that strips away humanity and legitimises killing. From Vietnam body counts to Obama’s “signature strikes,” America has always named its enemies into existence, and into death.

To call Robinson’s rally “populist” or “right-wing” is to miss the point. Fascism doesn’t require every marcher to be a coherent ideologue; it requires a mass, a scapegoat, and leaders prepared to turn grievance into violence. That is what we saw in London.

The events of Saturday (13/09) prove that Britain can go fascist. Musk calls for violence, the Telegraph and Times launder his words, and Starmer clings to the flag. We must name the danger or watch it grow.

Camilla Tominey’s sainthood act for Charlie Kirk trades politics for piety. The Right already owns the machinery (press, finance, courts, police) and Kirk was part of the drive shaft. A death certificate doesn’t wash clean a career built on making violence respectable.

The ONS reports zero growth in July. The papers call it “grim news” for Rachel Reeves. In reality, it is the latest entry in a long obituary for British capitalism — a system now sustained only by euphemism, stagnation, and decline.

When star forwards can down tools before the season starts and still win the move, a “contract” is just a polite fiction. Isak and Igamane are the canaries in the coal mine.

They say the Games are about unity, but what’s happening in LA tells a different story

Mike Tyson was never just a boxer—he was a system made flesh. Mark Kriegel’s Baddest Man understands this: it’s not a redemption tale but an anatomy of spectacle, where a traumatised boy from Brownsville is forged into a global icon of violence, repackaged as entertainment, and finally rebranded for profit

The Club World Cup is not a celebration of football, but a monument to its financial capture—driven by Saudi money, Trump’s authoritarian theatre, and a FIFA leadership that serves capital before fans.

For one long summer, our local rec was filled with the sound of kids playing kabaddi, breath held, bodies darting between the swings and the seesaw, a game that arrived without fanfare and disappeared just as suddenly. Now, as the Kabaddi World Cup lands in the West Midlands, and football bends to the will of capital, the games Britain plays, and who controls them, tell us more than ever about the country we have become.

As the Beautiful Game traverses the decades, its soul teeters between tradition and modernity. This narrative explores the transformation of football and the ongoing battle to preserve its essence.