The rest of the blog
Farage wants you to believe he can fix the country. But he broke it. From Brexit to “civil disobedience,” his politics turned crisis into currency. Now he wants to cash in. Don’t buy it.
The Labour government has not criminalised violence, it has criminalised resistance. Holding a flag, wearing a slogan, even whispering “Palestine” is now suspect. But dropping bombs on children? That’s fine. If that sounds like justice to you, you’re already lost.
They gutted final salary schemes. They tied your future to the stock market. Now they want to gamble what’s left on the promise of growth that never comes. Rachel Reeves calls it “unlocking capital.” What it really means is handing over your pension to the very firms that gutted the economy in the first place.
There’s no housing to fall back on. No council flat, no affordable rent, no hope of owning. Just a threadbare pension pot and a government asking you to work longer, save more, and expect less.
Farage isn’t offering a plan, this is performance. His “law and order” blitz isn’t costed, credible, or connected to reality. It’s the politics of punishment as spectacle: build more prisons, shout louder, deport faster, sentence longer. No thought to the broken justice system, no answers on prevention or rehabilitation. Just another culture war front for a party with no economic programme and no interest in governing.
While Israel levels Gaza, the Labour government arrests pensioners in Liverpool for carrying a leaflet. Yvette Cooper calls it national security. But what we are witnessing is the suppression of solidarity, the silencing of dissent, and the transformation of protest into a punishable offence. A government that will not name a genocide is quick to jail those who do.
Moral capital was never just sympathy, it was a strategy. It allowed Israel to present itself as victim and victor, past sufferer and present enforcer. But capital is not infinite. What was once a shield has become a smokescreen. And in Gaza, that smokescreen has lifted.
The world is watching a nuclear-backed state starve and bomb a captive population, and still we are told this is security. But what happens when the story no longer convinces? What remains when the history runs out? Only the force. Only the ruin. Only the lie that it was ever anything else.
The President has weaponised billion-dollar lawsuits to silence reporting, chill satire, and punish dissent. After ABC and CBS paid out millions, The Late Show with Stephen Colbert was cancelled days after mocking a Trump settlement. Now he’s suing Murdoch and the Wall Street Journal over a sketch linked to Epstein. This isn’t about truth. It’s about fear, and who’s allowed to speak.
I picked up A Colossal Wreck because the 1990s and early 2000s feel more relevant by the day. There’s a
Paul W. Schroeder was no Marxist, but in an age of collapsing empires and revived realpolitik, his cold-eyed history of diplomacy offers the left a theory of ruin we can use
Dan Edelstein’s The Revolution to Come: A History of an Idea from Thucydides to Lenin and Enzo Traverso’s Revolution: An Intellectual History
Tony Benn was not a relic of a lost left but a constitutional insurrectionist whose writings—on the Crown, industry, war, and tradition—still offer a blueprint for democratic rebellion in a Britain built to resist it.
In Capital’s Grave, Jodi Dean argues that capitalism isn’t simply in crisis, it’s decomposing into a new neofeudal order of rent, servitude and fragmented power.
In Mythocracy, Yves Citton argues that the left must learn to fight not just with facts or programmes, but with stories that shape the atmosphere of power itself.
Believe Nothing Until It Is Officially Denied: Claud Cockburn and the Invention of Guerrilla Journalism by Patrick Cockburn (Verso, 2024)
This review explores how Richard Beck’s Homeland and Lewis Lapham’s Age of Folly reveal the profound domestic and global consequences of America’s response to 9/11, from creeping authoritarianism at home to declining influence abroad.
