Smiley’s People Wouldn’t Survive This
Ryan’s Second Strike is a taut, post-Brexit techno-thriller in which privatised warfare meets Cold War ghosts, and the real enemy is the story you’re told to believe.
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Ryan’s Second Strike is a taut, post-Brexit techno-thriller in which privatised warfare meets Cold War ghosts, and the real enemy is the story you’re told to believe.
Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.
Britain doesn’t need a softer Starmer or a greener liberalism—it needs a new party of revolutionary ecosocialism, built by those brave enough to walk out and fight for class power, not manage its decline.
They say prisons are overcrowded, as if the cages are too small. As if the problem is spatial. As if all we need is a few more acres of razor wire and reinforced concrete and the crisis will vanish. But prisons aren’t full because we lack space. They’re full because we lack imagination.
Nigel Farage isn’t the voice of the working class—he’s their grifter-in-chief, selling tax cuts to the comfortable while Labour trails behind him, too timid to name the real enemy.
On Jane Borden’s Cults Like Us
As the Beautiful Game traverses the decades, its soul teeters between tradition and modernity. This narrative explores the transformation of football and the ongoing battle to preserve its essence.
As we march towards an era of technological innovation, driven by artificial intelligence, it’s easy to be fearful of the machines. But the real threat isn’t the AI itself; it’s the system that created and manipulates it for its own gain. Capitalism, with its insatiable hunger for wealth and power, poses the greatest danger to humanity.
The allure of wealth and power has long been a driving force in the world of American capitalism. This insatiable pursuit has given rise to both real and imagined corporate behemoths, casting their shadows over the futures of countless communities and individuals.