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A stylised protest-poster-style illustration in red, black, and beige tones. A punk musician with dreadlocks stands onstage holding a microphone and raising a Palestinian flag triumphantly, facing a cheering crowd with raised fists. Behind him is scaffolding and a control booth, with onlookers observing from above. Bold text at the bottom reads: JUST PUNKS BEING PUNKS
antisemitism

The Lobby That Doesn’t Exist (But Everyone’s Afraid Of)

They came for Glastonbury, the BBC, and a punk band. Then they came for students, civil servants, and anyone else who dared speak clearly about Palestine. What we’re watching is not a debate—it’s a crackdown. Armed with legal threats, media outrage, and the ever-flexible label of antisemitism, Britain’s pro-Israel lobby doesn’t just influence politics. It polices speech. And when even a chant against a military force under ICC investigation is treated as hate speech, the message is clear: the violence can continue, but naming it is forbidden.

It depicts five heavily armed and masked Border Patrol agents in tactical gear standing in and around the open sliding door of a white van. The central figure’s vest prominently displays a yellow badge with the words “BORDER PATROL.” The image has a rough, stencilled texture and a distressed background, evoking a dystopian, authoritarian atmosphere.
Guy Debord

Spectacle at the Tool Aisle

The ICE raid at Home Depot isn’t law enforcement. This is performance of sovereignty. Armed agents posing in camo and Kevlar to detain migrant day labourers is not about public safety, but about staging dominance. It’s capitalism enforcing its border through spectacle: a theatre of control, broadcast from a retail car park, where labour is criminalised and militarism is aestheticised. This isn’t about stopping migration. It’s about punishing poverty and reassuring power.

Grenfell Tower covered in white sheeting with large green heart symbols and the words "GRENFELL FOREVER IN OUR HEARTS" displayed at the top. A red construction lift runs vertically up the centre, with trees and lampposts in the foreground under a clear blue sky.
Britain

The Fire That Deregulation Built

Eight years on, Grenfell remains a wound that hasn’t healed. Netflix’s documentary gives voice to the survivors, while Peter Apps’s account lays bare the systemic failures that made the fire inevitable, and the justice that still hasn’t come.

A bold graphic emblem features a red silhouette of Donald Trump’s profile against a black background. His head merges into a stylised red and orange mushroom cloud, symbolising nuclear explosion. The composition is symmetrical and stark, evoking propaganda poster aesthetics.
Alexander Dugin

False Gods and Fallout: When Your Caesar Goes Globalist

Trump hasn’t changed, he’s doing what strongmen do: cutting deals, starting wars, appeasing generals. It’s Dugin who’s panicking. The fantasy’s collapsing, so he calls it a globalist takeover. The world isn’t ending. Just his script.

A cylindrical metal tin filled with bright red paint, sitting on a neutral grey surface. The paint is smooth and glossy, with the tin slightly scuffed, giving a utilitarian appearance.
direct action

Red Paint Is Not Terrorism

This is what it comes down to: the Labour government wants to put a group of activists who threw red paint at arms factories in the same legal category as ISIS.

Government Spending

Welfare Over Warfare

As Labour signs off on bombers and benefit cuts, Britain is being reshaped—not by necessity, but by choice. Welfare is being gutted while defence sails on untouched. This isn’t fiscal realism. It’s a war budget in peacetime.

A close-up image of tightly rolled newspapers stacked vertically, with dim, moody lighting and a grainy texture that gives the scene a vintage, noir atmosphere. Some headlines and columns are partially visible, adding to the sense of layered, obscured information.
Book Review

Who Gets to Tell the Story?

Journalism doesn’t need saving by those who made it toxic. Wright names the rot—Murdoch, the lobby, the Oxbridge cartel—and shows how the presses keeps running.

Fractured by the Feed painting

Hyperreal Hijacking

Behind the convenient façade of connectivity, online life fractures shared meaning and hijacks lived experience into a hyperreal dataspace optimised for extraction, prediction, and control. Fragmented perspectives oscillate desperately between terminals struggling to capture scarce attention now more valuable than ever.