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This isn’t a defence strategy—it’s a subsidy for the arms industry, a performance of deterrence, and a reaffirmation of Britain’s role as obedient junior partner in the global machinery of capital.
On Larry Alan Busk’s Democracy in Spite of the Demos
Lee Anderson doesn’t want a solution—he wants a stage, and the small boats crisis is just the latest prop in Britain’s long-running theatre of cruelty
Starmer’s weapons pipeline is less about deterring war and more about embedding militarism into the heart of Britain’s economic model.
Ryan’s Second Strike is a taut, post-Brexit techno-thriller in which privatised warfare meets Cold War ghosts, and the real enemy is the story you’re told to believe.
Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.
Elon Musk and his billionaire friends are no longer content with controlling technology—they are now actively remodelling governance itself. A recently leaked memo reveals a terrifying reality: the state is being transformed into a corporate empire, where surveillance, AI governance, and crypto-financialisation serve the interests of a new digital aristocracy.
Labour’s embrace of hardline immigration rhetoric isn’t a show of strength but a performance of weakness—an attempt to appease Reform UK’s base while maintaining credibility with big business. By mimicking the far right’s script, Starmer risks alienating the very voters Labour needs, offering border crackdowns instead of the economic transformation that could actually address their grievances.