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Crime and Punishment

Nigel Farage: The Performance Artist of British Punishment Politics

Farage isn’t offering a plan, this is performance. His “law and order” blitz isn’t costed, credible, or connected to reality. It’s the politics of punishment as spectacle: build more prisons, shout louder, deport faster, sentence longer. No thought to the broken justice system, no answers on prevention or rehabilitation. Just another culture war front for a party with no economic programme and no interest in governing.

A graphic representation of the Palestinian flag featuring a grainy, textured aesthetic. The design includes a red triangle on the left and three horizontal stripes—black at the top, white in the middle, and green at the bottom—each with a distressed, vintage look evocative of mid-20th century radical printmaking.
Britain

Is the Home Secretary Embarrassed Yet?

While Israel levels Gaza, the Labour government arrests pensioners in Liverpool for carrying a leaflet. Yvette Cooper calls it national security. But what we are witnessing is the suppression of solidarity, the silencing of dissent, and the transformation of protest into a punishable offence. A government that will not name a genocide is quick to jail those who do.
Gaza

The Exhaustion of Moral Capital

Moral capital was never just sympathy, it was a strategy. It allowed Israel to present itself as victim and victor, past sufferer and present enforcer. But capital is not infinite. What was once a shield has become a smokescreen. And in Gaza, that smokescreen has lifted.

The world is watching a nuclear-backed state starve and bomb a captive population, and still we are told this is security. But what happens when the story no longer convinces? What remains when the history runs out? Only the force. Only the ruin. Only the lie that it was ever anything else.
Donald J Trump

The Litigious President: Trump, Epstein, and the War on Journalism

The President has weaponised billion-dollar lawsuits to silence reporting, chill satire, and punish dissent. After ABC and CBS paid out millions, The Late Show with Stephen Colbert was cancelled days after mocking a Trump settlement. Now he’s suing Murdoch and the Wall Street Journal over a sketch linked to Epstein. This isn’t about truth. It’s about fear, and who’s allowed to speak.
Britain

The Butcher’s Apron: How the Far Right Got What It Wanted

Let’s not pretend this was ever about a child proud of her nation. It’s about the adults. Their performance, their grievance, their weaponisation of the flag. The far right didn’t stumble upon this story; they engineered it. A girl in a Union Jack dress becomes a national martyr, a school is hounded into closure, and the flag flies higher because of it. This isn’t about inclusion. It’s about intimidation. Once again, they’ve made the butcher’s apron the price of admission, and Labour’s too afraid to say otherwise.
European Union

Time to Face Facts: Bayrou, Budget Bombshells, and the Unthinkable Truth About Fortress Europe

Europe is not being overrun—it’s running out. Of workers, of births, of time. François Bayrou’s budget bombshell is less about fiscal rules than demographic reckoning. Fortress Europe clings to nostalgia while the tax base collapses. No amount of white-baby fantasies or border theatre will reverse the maths. The future demands what no mainstream party dares admit: migration, not austerity, is the condition of survival.

Owen Copper and Erin Doherty in a still image from the Netflix series Adolescence.

The Boys Are Not Alright

A Minister for Men cannot rebuild the infrastructures of solidarity that were torn apart by decades of neoliberal consensus.