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Britain

The Law, the Hotel, and the Vanishing Migrant

Paul Bristow cites the Epping Forest ruling to demand hotel closures for asylum seekers, but offers no plan for what follows. The Conservatives built the hotel system; Labour inherits it; local politicians weaponise planning law while migrants disappear from view.

Keir Starmer

Dawn Raids and Banned Placards

The arrest of a part-time cleaner for sharing Facebook posts backing Palestine Action shows how Britain’s response to Gaza has drifted from foreign policy into domestic repression.

Britain

The Provincial Mussolinis

Farage brings the noise, Starmer brings the law. The country falls apart to the sound of flags snapping and doors slamming while capital quietly clears the till.

Robert Jenrick stands on a ladder attached to a lamppost, giving a thumbs-up while raising a Union Jack flag. The background shows a cloudy sky, rooftops, road signs, and a quiet road stretching into the distance.
Conservative Government

Provincial Mussolini on a Ladder

Robert Jenrick’s Union Jack pantomime isn’t patriotism; it’s a confession of weakness. A dying political class turns to flags and ladders because it has nothing left to offer but theatre.

The International Criminal Court in The Hague, with the blue ICC sign in front of a modern glass building complex.
International Criminal Court

The Court in the Dock: Washington and Tel Aviv vs International Law

By sanctioning International Criminal Court judges and prosecutors, Trump’s America has openly declared that empire stands above the law. Europe and Britain now face a stark choice: defend the court’s independence, or accept a world where justice stops at Washington’s door.

Labour Councils

Planning Permission for Exclusion

The High Court’s ruling in Epping shows how Britain has turned planning law into a border regime, feeding jealous politics of scarcity and erasing the very category of the refugee. Now with Labour councils as willing collaborators.

A digital illustration features portraits of Donald Trump and Alexander Dugin side by side, rendered in bold red, orange, and black tones. Trump appears stern in a suit and tie, his expression tense, with an American flag pin on his lapel. Dugin gazes forward with a solemn intensity, his thick beard and unkempt hair highlighted by radiating orange rays behind his head, evoking a dark, iconographic halo. The background is a deep red gradient, reinforcing the dramatic and ideological tone of the piece.

Trump, Dugin, and the Eschatology of Reaction

Trump is no longer a politician in Dugin’s hands. He is a prophet who fell short. But the prophecy lives on. That’s how Dugin works: he turns failure into myth, betrayal into destiny. Putinism becomes the sacred, Trumpism the fallen. Everything is wrapped in theology, because the politics (when you look closely) aren’t up to much. It’s not tradition he’s defending. It’s accelerationism with a whiff of incense.

No One Is Above the Law—Not Even the SAS

The state demands loyalty from its killers, and contempt for those who ask why. To question the SAS is treated as heresy. To investigate them, as betrayal. But no one is above the law. Not even the men with night-vision goggles and state-sanctioned impunity. If the victims of British state violence are to be denied justice so that the myth of military virtue can remain intact, then we are not a democracy. We continue to be an empire that refuses to admit it.