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Britain

The Law, the Hotel, and the Vanishing Migrant

Paul Bristow cites the Epping Forest ruling to demand hotel closures for asylum seekers, but offers no plan for what follows. The Conservatives built the hotel system; Labour inherits it; local politicians weaponise planning law while migrants disappear from view.

Keir Starmer

Dawn Raids and Banned Placards

The arrest of a part-time cleaner for sharing Facebook posts backing Palestine Action shows how Britain’s response to Gaza has drifted from foreign policy into domestic repression.

Britain

The Provincial Mussolinis

Farage brings the noise, Starmer brings the law. The country falls apart to the sound of flags snapping and doors slamming while capital quietly clears the till.

Robert Jenrick stands on a ladder attached to a lamppost, giving a thumbs-up while raising a Union Jack flag. The background shows a cloudy sky, rooftops, road signs, and a quiet road stretching into the distance.
Conservative Government

Provincial Mussolini on a Ladder

Robert Jenrick’s Union Jack pantomime isn’t patriotism; it’s a confession of weakness. A dying political class turns to flags and ladders because it has nothing left to offer but theatre.

The International Criminal Court in The Hague, with the blue ICC sign in front of a modern glass building complex.
International Criminal Court

The Court in the Dock: Washington and Tel Aviv vs International Law

By sanctioning International Criminal Court judges and prosecutors, Trump’s America has openly declared that empire stands above the law. Europe and Britain now face a stark choice: defend the court’s independence, or accept a world where justice stops at Washington’s door.

Labour Councils

Planning Permission for Exclusion

The High Court’s ruling in Epping shows how Britain has turned planning law into a border regime, feeding jealous politics of scarcity and erasing the very category of the refugee. Now with Labour councils as willing collaborators.

A red baseball cap with white block letters reading “THE CUTS BEHIND THE CAP” on the front panel. The image has a grainy, vintage texture in beige and muted tones. The cap appears slightly worn, set against a distressed background suggestive of aged paper or fabric.

The Cuts Behind the Cap: Trumpism’s War on Its Own Base

Trump promised to protect the safety net. Instead, he signed a law that slashes Medicaid, imposes work requirements, and purges the rolls by design. His supporters still cheer, not because the cuts help them, but because the performance does. The cap says “Make America Great Again.” The policy says: you’re on your own.

A graphic poster with a textured, warm brown background. At the centre is the BRICS 2025 logo: a stylised, symmetrical burst of colourful triangles forming a tree-like shape, using vivid red, orange, yellow, green, and blue tones. Beneath the logo, bold black text reads “BRICS,” followed by “BRASIL 2025” and the Portuguese phrase “SUL GLOBAL INCLUSIVO E SUSTENTÁVEL.” The overall design evokes a mid-century political aesthetic with modern international symbolism.

When Principles Are Selective: BRICS, the Global South, and the Silence on Ukraine

BRICS condemns the bombing of Gaza and strikes on Iran with the language of international law, civilian protection, and sovereignty. But when it comes to Ukraine (a country invaded by one of its founding members) the silence is deafening. This isn’t a blind spot. It’s the logic of bloc politics. BRICS positions itself as a voice for the Global South, an alternative to Western hypocrisy, but it has its own double standards. Anti-imperialism loses its meaning if it only runs one way. The emerging multipolar order may be less Western, but it is not necessarily more just.

Digital illustration of the International Criminal Court building in The Hague. The image uses a limited palette of teal, turquoise, muted beige, and deep blue. The building’s modern glass facade is simplified into geometric blocks, and the foreground features a bold sign with the ICC’s logo and name in French and English. The overall effect evokes mid-century graphic design, with clean lines, high contrast, and a subdued, politically charged tone.

When the Powerful Kill: Why Israel and Russia Get Away with War Crimes

The phrase “rules-based international order” has become a punchline. When Russia bombs a maternity hospital, it’s a war crime. When Israel flattens a refugee camp, it’s self-defence. The ICC pursues African warlords and Balkan generals with zeal—but stalls or retreats when the accused are allies of Washington or clients of London. The problem isn’t that international law exists. It’s that it doesn’t apply to everyone. War crimes are prosecuted not on the basis of what’s done, but who does it, and who they do it for.