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Close-up of a British two pence coin, copper-coloured, showing a heraldic lion in a crosshatched frame with fleur-de-lis corners and the words “TWO PENCE” at the top.
Labour Government

Rachel Reeves and the 2p Trap

The chancellor’s proposed income tax shuffle is clever accountancy but toxic politics — a pledge-break disguised as fiscal discipline, and proof that Labour has trapped itself in rules it cannot escape.

An illustration of a red fish (Herring) in profile against a pale background, with the words “RED TERROR” in bold black capitals beneath it.
Charlie Kirk

Red Herring, Not Red Terror

David Frost calls it a new “Red Terror.” The truth is plainer: it’s the Right’s wars, coups and crackdowns that have spilt the deepest blood in politics.

Donald J Trump

The Invention of the Narco-Terrorist

Trump’s latest “kinetic strike” killed three unknown Venezuelans he labelled “narco-terrorists.” The phrase is not law but incantation, a word that strips away humanity and legitimises killing. From Vietnam body counts to Obama’s “signature strikes,” America has always named its enemies into existence, and into death.

Britain

Beyond Creeping Fascism

To call Robinson’s rally “populist” or “right-wing” is to miss the point. Fascism doesn’t require every marcher to be a coherent ideologue; it requires a mass, a scapegoat, and leaders prepared to turn grievance into violence. That is what we saw in London.

Screenshot of a Telegraph article by Camilla Tominey titled “The killing of Charlie Kirk shows just how poisonous Left-wing politics now is,” with the subheading “Speech has consequences – we have once more learnt that lesson from the horrifying events in Utah.” Below the headline is a photo showing two people in jeans holding a poster with a portrait of Charlie Kirk.
Camilla Tominey

Tominey’s doublethink

Camilla Tominey’s sainthood act for Charlie Kirk trades politics for piety. The Right already owns the machinery (press, finance, courts, police) and Kirk was part of the drive shaft. A death certificate doesn’t wash clean a career built on making violence respectable.

A vivid red and orange photograph of a nuclear explosion during Operation Upshot-Knothole. A massive fireball and mushroom cloud dominate the image, illuminating the night sky. A steel test tower is visible in front of the blast, and silhouetted Joshua trees and human figures can be seen in the foreground, emphasising the scale and intensity of the detonation.

Destroy Everything, Explain Nothing

There are no responsible nuclear powers—only powers with the bomb and those without—and by explaining the science while ignoring the politics, Frank Close turns history’s most destructive weapon into a tale of tragic inevitability rather than state terror.

Shock and Awe, but for Who?

Israel’s assault on Iran wasn’t an act of self-defence or solidarity with the oppressed—it was a theatre of imperial dominance, applauded by the West, sold as morality, and carried out with the full force of a nuclear-backed settler state.

A stylised graphic in a 1968 protest-poster aesthetic shows a hooded figure silhouetted in black, arms outstretched, standing before a fiery red and white explosion. The background is highly textured with grainy, distressed effects. In the bottom right, bold red and black block capitals read: “BRITAIN’S POGROM LOGIC.”

Britain’s Pogrom Logic

The mob lit the match, but it was the right-wing press that soaked the ground and stood back to watch it burn.

Book cover of "Murderland: Crime and Bloodlust in the Time of Serial Killers" by Caroline Fraser. The design features a monochrome photo of a man's face—partially obscured—with a superimposed industrial landscape and plume of smoke, blending the imagery of a serial killer with a polluted, foreboding environment. The title is in bold yellow text at the top, and the author's name appears at the bottom in yellow, noting her as the Pulitzer Prize-winning author of "Prairie Fires".

The Crazy Wall

Caroline Fraser’s Murderland dismantles the voyeurism of true crime by tracing serial murder not to aberrant monsters but to the poisoned infrastructures, institutional apathy, and cultural amnesia that made their violence possible.