anti capitalist musings

The rest of the blog

Britain

Planes That Will Never Take Off

Planes will never take off, but every promise of mass deportation erodes rights, normalises cruelty, and casts the mob as the voice of the nation.

A realist oil painting shows a Joan of Arc–like figure in medieval armour standing amid urban chaos. Flames engulf the street, sending black smoke into the air as police and emergency vehicles appear in the background. She raises a banner with a red cross high above her head while holding a sword at her side
Britain

The Free Speech Martyrdom of Lucy Connolly

Keir Starmer’s law-and-order theatrics have handed the far right its new saint: a self-styled free speech Joan of Arc—except this saint didn’t want to be burned, she wanted others to be.

Britain

The Law, the Hotel, and the Vanishing Migrant

Paul Bristow cites the Epping Forest ruling to demand hotel closures for asylum seekers, but offers no plan for what follows. The Conservatives built the hotel system; Labour inherits it; local politicians weaponise planning law while migrants disappear from view.

Keir Starmer

Dawn Raids and Banned Placards

The arrest of a part-time cleaner for sharing Facebook posts backing Palestine Action shows how Britain’s response to Gaza has drifted from foreign policy into domestic repression.

Britain

The Provincial Mussolinis

Farage brings the noise, Starmer brings the law. The country falls apart to the sound of flags snapping and doors slamming while capital quietly clears the till.

Robert Jenrick stands on a ladder attached to a lamppost, giving a thumbs-up while raising a Union Jack flag. The background shows a cloudy sky, rooftops, road signs, and a quiet road stretching into the distance.
Conservative Government

Provincial Mussolini on a Ladder

Robert Jenrick’s Union Jack pantomime isn’t patriotism; it’s a confession of weakness. A dying political class turns to flags and ladders because it has nothing left to offer but theatre.

The Politics of Fear in Opposition

Philp’s not doing politics, he is doing panic. Jenrick’s dragging the whole Tory lot further right, and this is what’s left: no ideas, no plan, just enemies. Same fear, different headline.

A grainy, black-and-white brick wall with a faded Pride flag poster pasted in the centre. Spray-painted across the flag in bold red letters are the words “NEUTRALITY = COMPLICITY”. Below, in black stencilled text, it reads “TRANS RIGHTS ARE HUMAN RIGHTS”.

Against the Ruling: Pride, Policing, and the Politics of Supposed Impartiality

Neutrality in the face of injustice is not impartiality. This is complicity. The court’s ruling isn’t about keeping police out of politics; it’s about appeasing a reactionary movement that wants trans people pushed from public life. Today it’s Pride. Tomorrow it’s the right to celebrate Eid, to march for Black lives, to speak up for Palestine. The message is clear: visibility is permitted only for the unthreatening.

At the top, a stylised Doomsday Clock shows the time at 89 seconds to midnight, its right edge crumbling into scattered debris. Below, a tattered folder labelled “EPSTEIN FILES” lies tilted on the ground, next to a worn red MAGA hat. The entire composition is in grainy sepia tones with strong black and red accents, evoking urgency and political decay.

Dugin Watch: Delay Is Not Peace, Dugin’s Fifty-Day Fever Dream

Dugin doesn’t need Trump to lead anymore. He just needs him to stall. The real project now is building a soft-theocratic death cult that prays for collapse but never acts. Spectators waiting for revelation, not revolution. Fifty days to Armageddon. Maybe. Maybe not. That’s the point.

The title at the top reads “PUNISHED MORE, PAID LESS”. Below it is a bar chart showing sanction rates by ethnicity: White (3%), Asian (4.4%), Black (6.4%), Mixed (5.3%), Other (3.1%). The caption at the bottom says: “ETHNIC MINORITY CLAIMANTS ARE MORE LIKELY TO BE SANCTIONED. SO MUCH FOR ‘SPECIAL TREATMENT’.”

The £12 Billion Lie

Farage says migrants are draining £12bn in benefits. The government’s own data says the real figure is closer to £3bn, and those he targets are more likely to be sanctioned and underpaid. This isn’t savings. It’s scapegoating.

A World War I–style sepia-toned recruitment poster featuring a smiling Liz Kendall with shoulder-length wavy brown hair, wearing a grey blazer and white shirt. She points directly at the viewer with a bold, stylised hand in the foreground. Below her, in large black serif text, the poster reads: “YOUR COUNTRY NEEDS YOU.” The design mimics the iconic Lord Kitchener enlistment posters, evoking a sense of patriotic urgency.

Britain’s New Workfare Army: Liz Kendall’s Marching Orders for the Poor

Labour are not offering opportunity, they are outsourcing austerity. Liz Kendall’s call for unemployed young people to join the Armed Forces isn’t a jobs programme, it’s conscription by stealth. The message is clear: pick up a rifle or face the full force of a benefits crackdown. We’ve gone from “levelling up” to shipping out. And if the government can’t promise you housing, dignity or decent pay, it will instead offer you a uniform and a war.

A grainy, high-contrast black-and-white protest-style illustration of a burning book titled "The End of History." The flames consume the top corner, and the overall image is textured like a 1968 Paris street poster, evoking urgency and ideological critique.

The End of History as Counter-Revolution

Zhang Yongle reads Trumpism as a new mode of hegemony. But what his own analysis shows is something starker: Trump didn’t emerge to challenge the liberal order—he emerged from its collapse. Fukuyama tried to end history; Trump is what happens when that lie runs out of road. Neither serves the ordinary person. Both exist to protect capital when legitimacy fails.