Britain’s War Factories: Building Bombs, Not Homes
Starmer’s weapons pipeline is less about deterring war and more about embedding militarism into the heart of Britain’s economic model.
The rest of the blog
Starmer’s weapons pipeline is less about deterring war and more about embedding militarism into the heart of Britain’s economic model.
Ryan’s Second Strike is a taut, post-Brexit techno-thriller in which privatised warfare meets Cold War ghosts, and the real enemy is the story you’re told to believe.
Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.
Britain doesn’t need a softer Starmer or a greener liberalism—it needs a new party of revolutionary ecosocialism, built by those brave enough to walk out and fight for class power, not manage its decline.
They say prisons are overcrowded, as if the cages are too small. As if the problem is spatial. As if all we need is a few more acres of razor wire and reinforced concrete and the crisis will vanish. But prisons aren’t full because we lack space. They’re full because we lack imagination.
Nigel Farage isn’t the voice of the working class—he’s their grifter-in-chief, selling tax cuts to the comfortable while Labour trails behind him, too timid to name the real enemy.
Alienation is the defining condition of modern politics. The gap between power and the people has never felt wider; work is increasingly precarious and meaningless; and the sense of community that once bound societies together has frayed. In this vacuum, neo-fascism has flourished, not by resolving alienation, but by weaponising it. Trumpism, Reform UK, and their European counterparts do not seek to challenge the economic structures that produce this disaffection; they thrive on it, repackaging frustration as grievance and grievance as political identity.
“All I Want for Christmas is You (to Buy Stuff) or Your Exploited Joy,” provides a Marxist and Situationist critique of how the capitalist class has commodified Christmas into a spectacle of consumption that fuels exploitation, alienation, and hollow aspirations.