anti capitalist musings

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A realist oil painting shows a Joan of Arc–like figure in medieval armour standing amid urban chaos. Flames engulf the street, sending black smoke into the air as police and emergency vehicles appear in the background. She raises a banner with a red cross high above her head while holding a sword at her side
Britain

The Free Speech Martyrdom of Lucy Connolly

Keir Starmer’s law-and-order theatrics have handed the far right its new saint: a self-styled free speech Joan of Arc—except this saint didn’t want to be burned, she wanted others to be.

Britain

The Law, the Hotel, and the Vanishing Migrant

Paul Bristow cites the Epping Forest ruling to demand hotel closures for asylum seekers, but offers no plan for what follows. The Conservatives built the hotel system; Labour inherits it; local politicians weaponise planning law while migrants disappear from view.

Keir Starmer

Dawn Raids and Banned Placards

The arrest of a part-time cleaner for sharing Facebook posts backing Palestine Action shows how Britain’s response to Gaza has drifted from foreign policy into domestic repression.

Britain

The Provincial Mussolinis

Farage brings the noise, Starmer brings the law. The country falls apart to the sound of flags snapping and doors slamming while capital quietly clears the till.

Robert Jenrick stands on a ladder attached to a lamppost, giving a thumbs-up while raising a Union Jack flag. The background shows a cloudy sky, rooftops, road signs, and a quiet road stretching into the distance.
Conservative Government

Provincial Mussolini on a Ladder

Robert Jenrick’s Union Jack pantomime isn’t patriotism; it’s a confession of weakness. A dying political class turns to flags and ladders because it has nothing left to offer but theatre.

The International Criminal Court in The Hague, with the blue ICC sign in front of a modern glass building complex.
International Criminal Court

The Court in the Dock: Washington and Tel Aviv vs International Law

By sanctioning International Criminal Court judges and prosecutors, Trump’s America has openly declared that empire stands above the law. Europe and Britain now face a stark choice: defend the court’s independence, or accept a world where justice stops at Washington’s door.

Front cover of Haywire by Andrew Hindmoor

Haywire Britain

Andrew Hindmoor’s Haywire offers a quietly devastating account of Britain’s long crisis, from Blair’s stage-managed optimism to Truss’s market-induced implosion, tracing how New Labour’s betrayals laid the foundations for a state that can no longer govern itself.

Front cover of Abundance By Ezra Klein and Derek Thompson

All This and Star Pills Too

Klein and Thompson promise a post-scarcity future powered by clean energy, AI, and vertical farms, but their liberal techno-optimism leaves untouched the class relations and ownership structures that produce crisis in the first place.

Front cover of the hardback book Who is Government?

The Last Bureaucrats

Michael Lewis has always been at his best when writing about finance, exposing the absurdities and myths of capital. Who Is Government? is a departure, an obituary for the administrative state, told through a series of essays by various writers.

Now, the People! Revolution in the Twenty-First Century by Jean-Luc Mélenchon. Translated by David Broder

The People’s Tribune and the Sixth Republic

Jean-Luc Mélenchon’s Now, the People! Revolution in the 21st Century, published by Verso books, is a sweeping and urgent call for a citizens’ revolution, rooted in French republicanism but alive to the crises shaping political struggle across Europe and beyond.

Neil Faulkner: The Historian as Revolutionary

I knew the late Neil Faulkner, and I have always meant to review his last book; he was a storyteller, a fighter, and one of the great Marxist historians, someone who could hold a room and remind you that history is not past but struggle.

Front cover of Munichs snipped to fit.

David Peace’s Munichs

David Peace’s Munichs is not just a novel about the Munich air disaster, it is a novel about how tragedy lingers, how history is shaped in grief and uncertainty, and how disaster, in the absence of instant news, once unfolded in echoes and silence.

Front cover snip of Homeland: The War on Terror in American Life by Richard Beck showing the twi towers appearing from a cloud, looks menacing

Spectacle and Surveillance

This review explores how Richard Beck’s Homeland and Lewis Lapham’s Age of Folly reveal the profound domestic and global consequences of America’s response to 9/11, from creeping authoritarianism at home to declining influence abroad.

Front cover of the book "Careless People"

Careless People

Sarah Wynn-Williams’s Careless People exposes Facebook’s internal reckoning with its role in political manipulation, revealing a company that prioritised engagement over ethics and profit over truth.

Photograph of Harlow Town railway station in 2007

Everything, Even Ruins, Is a Choice

The ruins Owen Hatherley documented over a decade ago, of modernist ambition, of public housing, of a Britain that once believed in itself, have only deepened, and with a new New Labour government poised to repeat the same failed housing policies, the cycle of speculation, privatisation, and social cleansing shows no sign of ending.