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Eight years on, Grenfell remains a wound that hasn’t healed. Netflix’s documentary gives voice to the survivors, while Peter Apps’s account lays bare the systemic failures that made the fire inevitable, and the justice that still hasn’t come.
Trump hasn’t changed, he’s doing what strongmen do: cutting deals, starting wars, appeasing generals. It’s Dugin who’s panicking. The fantasy’s collapsing, so he calls it a globalist takeover. The world isn’t ending. Just his script.
This is what it comes down to: the Labour government wants to put a group of activists who threw red paint at arms factories in the same legal category as ISIS.
As Labour signs off on bombers and benefit cuts, Britain is being reshaped—not by necessity, but by choice. Welfare is being gutted while defence sails on untouched. This isn’t fiscal realism. It’s a war budget in peacetime.
Journalism doesn’t need saving by those who made it toxic. Wright names the rot—Murdoch, the lobby, the Oxbridge cartel—and shows how the presses keeps running.
Trump didn’t just return to NATO; he returned as “Daddy”—a role not earned through diplomacy, but conjured through spectacle. Baudrillard warned that when image overtakes reality, politics becomes performance. The bombs may have hit Iran, but the real strike was rhetorical. What mattered wasn’t destruction, it was the appearance of obliteration, the meme of authority, the myth of restored order. In the empire of simulation, the sovereign returns not with treaties, but with merch.
Labour won power by promising stability, but what it offers now is paralysis. It has no strategy to counter Farage, no defence against a Tory right fightback, and no imagination to confront the ecological and economic shocks coming fast over the horizon. While Reform sets the agenda and the left reorganises, Starmer retreats into technocratic caution. The government is not leading Britain—it’s managing decline, and doing it badly. Unless Labour finds the courage to confront the forces tearing the country apart, it risks becoming the caretaker of its own collapse.
Pankaj Mishra’s The World After Gaza is a searing indictment of Western complicity in Israeli aggression, exposing the ideological, economic, and political forces that have enabled the destruction of Palestine.
Algorithmic management does not simply discipline workers; it renders the very logic of their exploitation opaque, and in Cyberboss, Craig Gent dissects this transformation with forensic precision.
What if the greatest threat to your freedom wasn’t a government decree, a criminal act, or even a political ideology, but an algorithm? The Dream Hotel, Laila Lalami’s chilling new novel, imagines a world in which surveillance capitalism governs not only what we do, but who we are allowed to be.
Histories of 1914 and the start of the First World War continue to proliferate, yet few reflect on how those histories themselves have been shaped. Perry Anderson’s Disputing Disaster is a forensic examination of how the war’s origins have been written, but what does it omit?
A whip smart and urgent examination of videogames as both a cultural force and a political battleground, Everything to Play For interrogates the industry’s contradictions: its creative potential, its exploitative labour practices, and its uncertain future in the age of AI.
The consolidation of reactionary power in the United States is not accidental or chaotic but the result of a long-term, well-funded strategy to entrench minority rule, an argument laid bare in Owned by Eoin Higgins and Money, Lies, and God Behind the Movement to Destroy American Democracy by Katherine Stewart.
Few books have shaped the conspiratorial mind like Behold a Pale Horse, and in Pale Horse Rider: William Cooper, the Rise of Conspiracy, and the Fall of Trust in America, Mark Jacobson unpacks the strange, sprawling legacy of its author, William Cooper, a man who saw the deep state before it had a name, predicted 9/11, and died in a shootout with police. But was he a prophet, a fraud, or just another victim of his own paranoia?
Nick Dyer-Witheford and Alessandra Mularoni’s Cybernetic Circulation Complex: Big Tech and Planetary Crisis, recently published by Verso, is more than a critique, it’s an intellectual war machine. They chart how the CCC has reshaped the global economy, from Amazon’s AI-driven logistics empire to the speculative bubbles propping up Tesla and Google. They expose how Big Tech’s far-right accelerationists, from Andreessen to Thiel, are using crisis to rewire the state itself. The choice, they argue, is stark: biocommunism or extinction.
Robert D. Kaplan’s Waste Land: A World in Permanent Crisis is less a serious analysis of global instability than an extended defence of imperial power, dressing up the failures of capitalism as inevitable and naturalising the dominance of Western capital as the only alternative to chaos.
Simon Hannah’s Reclaiming the Future: A Beginner’s Guide to Planning the Economy is a searing indictment of capitalism’s failures and a powerful call for a democratically planned socialist future. In an era of crisis, this book is essential reading for anyone who refuses to accept that the chaos of the market is the best we can hope for. As capitalist crisis deepens, bringing with it ecological catastrophe, resurgent reactionary politics, and growing inequality, Simon lays out an uncompromising case for a planned economy as the only viable alternative. This is not a work of dry economism or abstract theory; it is a call to arms, a rallying cry against capitalist realism and its false sense of inevitability.
In V13: Chronicle of a Trial, Emmanuel Carrère immerses readers in the unprecedented legal aftermath of the 2015 Paris terror attacks, illuminating the harrowing testimonies of survivors, the moral quandaries of justice, and the uneasy search for meaning amid almost unfathomable violence.