Book Review
Who Gets to Tell the Story?
Journalism doesn’t need saving by those who made it toxic. Wright names the rot—Murdoch, the lobby, the Oxbridge cartel—and shows how the presses keeps running.
The rest of the blog
Journalism doesn’t need saving by those who made it toxic. Wright names the rot—Murdoch, the lobby, the Oxbridge cartel—and shows how the presses keeps running.
Trump didn’t just return to NATO; he returned as “Daddy”—a role not earned through diplomacy, but conjured through spectacle. Baudrillard warned that when image overtakes reality, politics becomes performance. The bombs may have hit Iran, but the real strike was rhetorical. What mattered wasn’t destruction, it was the appearance of obliteration, the meme of authority, the myth of restored order. In the empire of simulation, the sovereign returns not with treaties, but with merch.
Labour won power by promising stability, but what it offers now is paralysis. It has no strategy to counter Farage, no defence against a Tory right fightback, and no imagination to confront the ecological and economic shocks coming fast over the horizon. While Reform sets the agenda and the left reorganises, Starmer retreats into technocratic caution. The government is not leading Britain—it’s managing decline, and doing it badly. Unless Labour finds the courage to confront the forces tearing the country apart, it risks becoming the caretaker of its own collapse.
Pankaj Mishra’s The World After Gaza is a searing indictment of Western complicity in Israeli aggression, exposing the ideological, economic, and political forces that have enabled the destruction of Palestine.
The work isn’t fake because it’s imaginary—it’s fake because it pretends to matter. We clock in, log on, file the forms, and call it a life.
Matt Goodwin’s claim that “London is over” isn’t analysis, it’s a panic attack in column form. Behind the talk of pints and train delays lies the same tired script the Mail rehashes every few weeks, just in time for its readers to rage over their cornflakes. Crime becomes a cipher for immigration, anecdote stands in for data, and the city’s diversity is framed as an existential threat. But what really offends Goodwin isn’t decline—it’s that London no longer looks or sounds like him.
Alexander Dugin’s latest polemic is not political analysis but fascist sermon—an apocalyptic blueprint in which nuclear war is both inevitable and desirable. Cloaked in the language of sovereignty and tradition, it is a call to arms for a new ideology of holy Russian power. What begins with Fordow ends with the end of humanity. And for that reason alone, it demands scrutiny—not celebration. You listening, tech bros?
The next state to cross the nuclear threshold won’t be doing anything new. It’ll be following the path Israel already took—building the bomb in secret, shielded by silence and strategic utility. The real precedent was set decades ago in the Negev. That’s the hypocrisy at the heart of the so-called international order: one bomb is a threat to civilisation, the other a pillar of it. This isn’t about non-proliferation. It’s about who gets to own the apocalypse.
Trump’s return to power signals not just a political shift but a profound restructuring of the American state—one that fuses corporate power with authoritarian governance. This transformation, driven by figures like Elon Musk and the influence of think tanks such as the Heritage Foundation, represents the latest stage in capital’s ongoing march towards unaccountable dominance.
Picture a once-mighty empire, stripped to its underwear. Once hailed for its democratic values and global reach, the United States now staggers beneath the weight of its own contradictions—its institutions hollowed out, its alliances squandered, its climate left to burn. In the aftermath of a second Trump presidency, what was once dismissed as political theatre has morphed into a crisis so profound that even the most reluctant observers must confront the truth: the old order cannot endure.
The assassination attempt on Donald Trump has spotlighted a troubling paradox: why do liberal institutions and figures often defend fascist politicians, even when these politicians espouse values antithetical to liberalism? This article delves into the inherent contradictions within liberalism that lead it to shield authoritarian figures like Trump, arguing that these actions reveal a deeper alignment with capitalist interests and a fear of revolutionary change.
The UK government’s attack on dissent and protest rights echoes a long history of state suppression, revealing a deep fear of the power of a mobilised working class.
On a seemingly ordinary Thursday, at the time-honoured Glyndebourne opera festival, an unexpected interlude of protest emerged. In the sanctuary of the arts, amid the melody of Francis Poulenc’s Dialogues des Carmélites, a dissenting chorus brought the opera to a standstill. Sparked by the cause of Just Stop Oil, the interruption blended a traditional form of high culture with the pressing concerns of our era. This is the narrative of that day, a symphony of dissent resounding from the grand opera house to the streets of London.
This post explores the growing threat of creeping fascism in the UK political landscape, particularly within the Conservative Party. It examines recent actions by the government, including the exclusion of critical media outlets from the Home Secretary’s trip to Rwanda and the policy to deport asylum seekers, in light of the “creeping fascism” thesis. The post argues that the Tories’ use of jingoistic and anti-immigrant rhetoric is a deliberate tactic to distract from the real issues facing the UK and consolidate their power.
Amidst the drip-drip of fear and hatred in our current political climate, Suella Braverman’s chilling words serve as a stark reminder of the inhumanity that lies at the heart of power.
It’s a classic case of power versus principle, and the stakes have never been higher. In the end, it’s not just about football – it’s about the very soul of our democracy.
Fascism is still a threat today, and we must call out its leaders and followers for what they are: Nazis.
Solidarity with Gary Linker as he stands firm against the fascist menace at home!