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Richard Seymour’s “Dreaming of Downfall” provides a crucial analysis of the recent wave of racial violence across Britain, exposing the deep-rooted anxieties and deliberate provocations that have led to this disturbing moment in the nation’s history.
The growing concentration of power in the digital realm, exemplified by Elon Musk’s control over X, poses unprecedented risks to both online discourse and real-world stability.
Crisis is the word that keeps coming back to haunt us. Whether it’s the crisis of democracy, the crisis of liberalism, or the overarching notion of a time of crisis, we seem perpetually embroiled in a state of polycrisis.
The assassination attempt on Donald Trump has spotlighted a troubling paradox: why do liberal institutions and figures often defend fascist politicians, even when these politicians espouse values antithetical to liberalism? This article delves into the inherent contradictions within liberalism that lead it to shield authoritarian figures like Trump, arguing that these actions reveal a deeper alignment with capitalist interests and a fear of revolutionary change.
The COVID-19 pandemic has revealed the weaknesses of global health systems under capitalism, showing how profit-driven intensive farming and environmental degradation heighten the risk of future pandemics, such as the persistent threat of H5N1 avian flu.
Marine Le Pen’s rise in French politics, often attributed to immigration and crime, is more accurately understood as a reaction to the economic exploitation and inequality perpetuated by the capitalist system.
Sidney Lumet’s “The Hill” (1965) is a harrowing exploration of the human cost of military service and colonialism, set against the harsh realities of a British military prison during World War II.
In his latest dystopian film, Civil War, director Alex Garland presents a thought-provoking and unsettling vision of a divided United States, inviting viewers to contemplate the consequences of societal polarisation and the role of journalism in capturing the truth amidst conflict.
Patrick Keiller’s Robinson trilogy explores modern Britain through a psychogeographic lens, revealing how landscapes shape collective psychology. The films expose spaces that reflect political and social forces underlying the nation’s fractures.
In the cold depths of the cosmos, the saga of Star Wars unfolds, a timeless allegory of proletarian emancipation waging an epic battle against the dark tide of fascism.
The allure of wealth and power has long been a driving force in the world of American capitalism. This insatiable pursuit has given rise to both real and imagined corporate behemoths, casting their shadows over the futures of countless communities and individuals.
In the void, the darkness, the depths of space, and the heart of America, shadows dance. The Alien saga, the nation’s journey, intertwined, parallel, mirroring, reflecting. The struggle, the fight, the survival, the change. The whispers, the warnings, the messages, the screams, the horrors, the nightmares, the dreams. Alien and America, the descent, the rebirth, the redemption, the fire. Ridley Scott, James Cameron, David Fincher, Jean-Pierre Jeunet, Carter, Reagan, Clinton, the visionaries, the leaders, the architects. In the abyss, the chasm, the truth, the lies, the chronicles unfold.