Smiley’s People Wouldn’t Survive This
Ryan’s Second Strike is a taut, post-Brexit techno-thriller in which privatised warfare meets Cold War ghosts, and the real enemy is the story you’re told to believe.
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Ryan’s Second Strike is a taut, post-Brexit techno-thriller in which privatised warfare meets Cold War ghosts, and the real enemy is the story you’re told to believe.
Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.
Britain doesn’t need a softer Starmer or a greener liberalism—it needs a new party of revolutionary ecosocialism, built by those brave enough to walk out and fight for class power, not manage its decline.
They say prisons are overcrowded, as if the cages are too small. As if the problem is spatial. As if all we need is a few more acres of razor wire and reinforced concrete and the crisis will vanish. But prisons aren’t full because we lack space. They’re full because we lack imagination.
Nigel Farage isn’t the voice of the working class—he’s their grifter-in-chief, selling tax cuts to the comfortable while Labour trails behind him, too timid to name the real enemy.
On Jane Borden’s Cults Like Us
Warfare looks and sounds like war, but says nothing about it. Iraqis are reduced to bullet magnets, the mission is never named, and behind the realism lies a vacuum: of politics, of purpose, of meaning.
A masterful dissection of power, corruption, and the making of modern America, The Apprentice deserved to sweep the Oscars, but the Academy, as always, chose safety over truth.
Sidney Lumet’s “The Hill” (1965) is a harrowing exploration of the human cost of military service and colonialism, set against the harsh realities of a British military prison during World War II.
In his latest dystopian film, Civil War, director Alex Garland presents a thought-provoking and unsettling vision of a divided United States, inviting viewers to contemplate the consequences of societal polarisation and the role of journalism in capturing the truth amidst conflict.