
Britain Does Not Need a Labour Shortage
Britain doesn’t need a labour shortage to punish the poor.
The rest of the blog
Britain doesn’t need a labour shortage to punish the poor.
Malcolm X was not just a man but an ongoing process. A revolutionary for us all—even children—his journey from rage to clarity shows how radical truth is learned, lived, and handed down.
A functioning health system is not one where executives earn bonuses while patients die in corridors.
On Andor, Class Struggle, and Watching Rebellion Under Trumpism
Let’s not pretend this is clever politics. It’s cowardice. The real danger is not that Labour contines to lose votes to Reform. It’s that it becomes Reform, in language, in policy, and in the cruel calculus of who gets to belong.
Warfare looks and sounds like war, but says nothing about it. Iraqis are reduced to bullet magnets, the mission is never named, and behind the realism lies a vacuum: of politics, of purpose, of meaning.
Warfare looks and sounds like war, but says nothing about it. Iraqis are reduced to bullet magnets, the mission is never named, and behind the realism lies a vacuum: of politics, of purpose, of meaning.
If Reaganism found its myths on the big screen, Trumpism built its own spectacle—and may now be searching for its Riefenstahl.
A film about marines and monsters, yes—but also about empire, capital, and the systems that survive by turning crisis into opportunity. Watching Aliens now is like reading the minutes of a future board meeting: the Company adapts, the hive expands, and the mission continues.
A masterful dissection of power, corruption, and the making of modern America, The Apprentice deserved to sweep the Oscars, but the Academy, as always, chose safety over truth.
The end of the year wouldn’t be complete without a list.
Sidney Lumet’s “The Hill” (1965) is a harrowing exploration of the human cost of military service and colonialism, set against the harsh realities of a British military prison during World War II.
In his latest dystopian film, Civil War, director Alex Garland presents a thought-provoking and unsettling vision of a divided United States, inviting viewers to contemplate the consequences of societal polarisation and the role of journalism in capturing the truth amidst conflict.
Patrick Keiller’s Robinson trilogy explores modern Britain through a psychogeographic lens, revealing how landscapes shape collective psychology. The films expose spaces that reflect political and social forces underlying the nation’s fractures.
In the cold depths of the cosmos, the saga of Star Wars unfolds, a timeless allegory of proletarian emancipation waging an epic battle against the dark tide of fascism.
The allure of wealth and power has long been a driving force in the world of American capitalism. This insatiable pursuit has given rise to both real and imagined corporate behemoths, casting their shadows over the futures of countless communities and individuals.