Britain’s War Factories: Building Bombs, Not Homes
Starmer’s weapons pipeline is less about deterring war and more about embedding militarism into the heart of Britain’s economic model.
The rest of the blog
Starmer’s weapons pipeline is less about deterring war and more about embedding militarism into the heart of Britain’s economic model.
Ryan’s Second Strike is a taut, post-Brexit techno-thriller in which privatised warfare meets Cold War ghosts, and the real enemy is the story you’re told to believe.
Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.
Britain doesn’t need a softer Starmer or a greener liberalism—it needs a new party of revolutionary ecosocialism, built by those brave enough to walk out and fight for class power, not manage its decline.
They say prisons are overcrowded, as if the cages are too small. As if the problem is spatial. As if all we need is a few more acres of razor wire and reinforced concrete and the crisis will vanish. But prisons aren’t full because we lack space. They’re full because we lack imagination.
Nigel Farage isn’t the voice of the working class—he’s their grifter-in-chief, selling tax cuts to the comfortable while Labour trails behind him, too timid to name the real enemy.
In the void, the darkness, the depths of space, and the heart of America, shadows dance. The Alien saga, the nation’s journey, intertwined, parallel, mirroring, reflecting. The struggle, the fight, the survival, the change. The whispers, the warnings, the messages, the screams, the horrors, the nightmares, the dreams. Alien and America, the descent, the rebirth, the redemption, the fire. Ridley Scott, James Cameron, David Fincher, Jean-Pierre Jeunet, Carter, Reagan, Clinton, the visionaries, the leaders, the architects. In the abyss, the chasm, the truth, the lies, the chronicles unfold.