Evacuation as Pretext, Escalation as Policy
Trump’s second term marries ICE raids at home with a war machine primed abroad, and Iran, once again, plays the designated enemy.
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Trump’s second term marries ICE raids at home with a war machine primed abroad, and Iran, once again, plays the designated enemy.
The Club World Cup is not a celebration of football, but a monument to its financial capture—driven by Saudi money, Trump’s authoritarian theatre, and a FIFA leadership that serves capital before fans.
Rachel Reeves’s Spending Review and the Political Economy of Placation
Trump doesn’t lie to persuade—he lies to dominate, using contradiction as a weapon to break truth itself.
Caroline Fraser’s Murderland dismantles the voyeurism of true crime by tracing serial murder not to aberrant monsters but to the poisoned infrastructures, institutional apathy, and cultural amnesia that made their violence possible.
A bureaucratic blueprint for empire cloaked in civilisational jargon, Russia 2050 lays out a revanchist plan for domination—one now legitimised by Western contrarians too busy opposing the West to see they’re cheering on its mirror image.
Name is a ruthless political act disguised as literature, dismantling the family, class inheritance, and even the very idea of a coherent self in service of a more radical form of freedom
Marine Le Pen is out of the race, but her party is preparing for power.
Michel Houellebecq’s Annihilation is a novel about the end of things: not apocalypse, not collapse, but the quieter, lonelier ruin of meaning in a technocratic capitalism that no longer pretends to offer hope.
A short, unsentimental novel about fast-food labour and family life, On the Clock shows how work seeps into everything, even the holidays meant to offer escape.
Jean-Luc Mélenchon’s Now, the People! Revolution in the 21st Century, published by Verso books, is a sweeping and urgent call for a citizens’ revolution, rooted in French republicanism but alive to the crises shaping political struggle across Europe and beyond.
In V13: Chronicle of a Trial, Emmanuel Carrère immerses readers in the unprecedented legal aftermath of the 2015 Paris terror attacks, illuminating the harrowing testimonies of survivors, the moral quandaries of justice, and the uneasy search for meaning amid almost unfathomable violence.
Marine Le Pen’s rise in French politics, often attributed to immigration and crime, is more accurately understood as a reaction to the economic exploitation and inequality perpetuated by the capitalist system.
Amidst the relentless hum of an oppressive state, the silenced voices emerge, defiant whispers cutting through the smoke of the Molotov, a testament to the indomitable spirit of resistance.
In a world reminiscent of Kafka’s nightmares, the arrest of a French publishing executive has cast a long, ominous shadow over the fragile nature of free expression. Ernest, the foreign rights manager for Éditions la Fabrique, found himself entangled in the suffocating coils of the state’s overreach as he was arrested. This ensnarement occurred at the behest of the French government, employing British anti-terror legislation as their instrument of control.
In the twilight of the Fifth Republic, France is engulfed in a crisis sparked by President Emmanuel Macron’s pension reform, which has faced widespread opposition from unions and the public. Despite the Constitutional Council’s validation of the reform, the people’s fury burns bright, igniting massive protests and calls for broader social and wage reform, the end of the Fifth Republic, and radical democratic measures. The future of France remains uncertain as a new dawn awaits.