
Red Paint Is Not Terrorism
This is what it comes down to: the Labour government wants to put a group of activists who threw red paint at arms factories in the same legal category as ISIS.
The rest of the blog
This is what it comes down to: the Labour government wants to put a group of activists who threw red paint at arms factories in the same legal category as ISIS.
As Labour signs off on bombers and benefit cuts, Britain is being reshaped—not by necessity, but by choice. Welfare is being gutted while defence sails on untouched. This isn’t fiscal realism. It’s a war budget in peacetime.
Journalism doesn’t need saving by those who made it toxic. Wright names the rot—Murdoch, the lobby, the Oxbridge cartel—and shows how the presses keeps running.
Trump didn’t just return to NATO; he returned as “Daddy”—a role not earned through diplomacy, but conjured through spectacle. Baudrillard warned that when image overtakes reality, politics becomes performance. The bombs may have hit Iran, but the real strike was rhetorical. What mattered wasn’t destruction, it was the appearance of obliteration, the meme of authority, the myth of restored order. In the empire of simulation, the sovereign returns not with treaties, but with merch.
Labour won power by promising stability, but what it offers now is paralysis. It has no strategy to counter Farage, no defence against a Tory right fightback, and no imagination to confront the ecological and economic shocks coming fast over the horizon. While Reform sets the agenda and the left reorganises, Starmer retreats into technocratic caution. The government is not leading Britain—it’s managing decline, and doing it badly. Unless Labour finds the courage to confront the forces tearing the country apart, it risks becoming the caretaker of its own collapse.
Pankaj Mishra’s The World After Gaza is a searing indictment of Western complicity in Israeli aggression, exposing the ideological, economic, and political forces that have enabled the destruction of Palestine.
The work isn’t fake because it’s imaginary—it’s fake because it pretends to matter. We clock in, log on, file the forms, and call it a life.
Matt Goodwin’s claim that “London is over” isn’t analysis, it’s a panic attack in column form. Behind the talk of pints and train delays lies the same tired script the Mail rehashes every few weeks, just in time for its readers to rage over their cornflakes. Crime becomes a cipher for immigration, anecdote stands in for data, and the city’s diversity is framed as an existential threat. But what really offends Goodwin isn’t decline—it’s that London no longer looks or sounds like him.
Donald Trump’s latest scheme—expelling Gaza’s population to neighbouring countries and transforming the strip into a capitalist playground, exposes the brutal logic of imperialism. With threats to withhold aid from Egypt and Jordan unless they absorb millions of displaced Palestinians, this plan is not just a violation of international law but a blueprint for ethnic cleansing.
Michael Hardt and Sandro Mezzadra’s article “A Global War Regime” examines the interplay between militarisation and capitalist structures, yet, from a Marxist perspective, it overlooks crucial aspects like class struggle, the state’s role, and the ideological mechanisms underpinning militarisation.
As we approach the anniversary of the start of the Iraq War, there has been a surge in retrospective articles examining the conflict and its aftermath. These introspective pieces provide an opportunity for us to reevaluate the decisions that led to the war, its far-reaching consequences, and the lessons we can glean from this turbulent period in history. By engaging in such reflection, we can better understand the complexities of war and work towards preventing similar catastrophes in the future.
The contemporary left faces many challenges, including the absence of a powerful mass revolutionary party, and must navigate the complexities of modern struggles while adhering to Trotsky’s guidance, all while enduring the paradoxical nature of Starmer’s Labour Party.
As the world continues to shift towards a new global order, the competition between the United States, China, and Russia has become increasingly apparent. While some may argue that conflict between these powers is inevitable, others question the effectiveness of Marxist alternatives in a world that is dominated by state capitalism and imperial tendencies. In this article, we will explore the complexities of the US-China-Russia relationship and examine the limitations of Marxist ideology in addressing the challenges of our current political and economic landscape.
Using Guy Debord’s concept of the spectacle to examine imperialism.