anti capitalist musings

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Bossware

Stop, Go, Smile: The New Discipline of Bossware

From PwC’s colour-coded attendance dashboard to HSBC’s biometric checkpoints and the rise of Algorithmic Affect Management, the new wave of “bossware” represents less an innovation than the latest stage in capital’s long history of making workers legible. What began with the factory bell and the punch clock now extends to our faces, moods, and keystrokes.

Corbynism

The Party of Good Intentions

Zarah Sultana’s interview in Sidecar captures the anger at Labour’s complicity in genocide and austerity, but it risks becoming another broad reformist project, haunted by the ghosts of Corbynism—vulnerable to sect capture, parliamentary illusions, and the same popular-front logic that has historically disarmed the working class.

A satirical cartoon shows a battered wooden puppet painted with the Union Jack dangling limply on strings. The marionette is worn, chipped, and cracked, symbolising a weakened Britain. Behind it loom two large shadowy figures: one in a Nazi uniform, the other resembling Vladimir Putin. Both extend their hands to manipulate the strings, casting an ominous, ghostly control over the puppet.
History

The Faragist Fantasy: Britain Should Have Backed Hitler

Nigel Farage’s TikTok wunderkind wants us to imagine a Britain that never fought Hitler, kept its colonies, and models itself on Bukele’s prison state. This is not contrarianism; it is fascist nostalgia dressed up as common sense.

Donald Trump–like figure dressed in a tuxedo clapping enthusiastically, standing beside a stern Vladimir Putin–like figure holding a chained brown bear. The background is a dark curtain, giving the scene a theatrical, vaudeville atmosphere.
Donald J Trump

The Last Superpowers

Alexander Dugin calls the Trump–Putin summit in Anchorage “splendid,” insisting the US and Russia must find an “understanding as superpowers.” The problem is that this fantasy of bipolar order flatters two declining states while obscuring the real forces shaping the 21st century.

Donald J Trump

Trump’s Civil War Rehearsal

With armed red-state troops patrolling a blue city, Trump is not protecting Washington; he is rehearsing the mechanics of civil war.

A satirical illustration of a grand Gothic-style university building with a large sign out front that reads: “CLOSED TO THE LIKES OF YOU,” highlighting the exclusion of ordinary people from higher education.
Higher Education

Universities Were Never Meant for You

Every August, the right reheats its old contempt for higher education. Their complaint is not about debt or “Mickey Mouse” degrees, it is about closing the gates of knowledge, keeping universities for the dominant class and consigning everyone else to warehouses and call centres.

A black-and-white satirical cartoon depicts a stern Daily Mail journalist dressed as a judge in full wig and robe, holding a gavel in one hand and a sign reading “GUILTY” in the other. He stands on a gallows platform beside a hanging noose, with the caption below reading “JUDGE, JURY AND EXECUTIONER.” The title “DAILY MAIL” looms overhead, suggesting the paper acts as a one-man court of condemnation.
Gaza

Hodges’s Courtroom: Palestine Action on Trial

Dan Hodges’s Mail column denouncing Palestine Action as “terrorists” is not journalism but ideological policing, an attempt to criminalise dissent while excusing the real violence: Britain’s complicity in Gaza’s destruction.

The Butcher’s Apron: How the Far Right Got What It Wanted

Let’s not pretend this was ever about a child proud of her nation. It’s about the adults. Their performance, their grievance, their weaponisation of the flag. The far right didn’t stumble upon this story; they engineered it. A girl in a Union Jack dress becomes a national martyr, a school is hounded into closure, and the flag flies higher because of it. This isn’t about inclusion. It’s about intimidation. Once again, they’ve made the butcher’s apron the price of admission, and Labour’s too afraid to say otherwise.

Hand-painted protest signs displayed against a neutral background. One sign on brown cardboard reads “THEY SAY CUT BACK WE SAY FIGHT BACK” in bold black letters. Another, on black card, reads “NO CUTS TO PIP!” in large white letters. A third sign, painted blue and white, says “WELFARE NOT WARFARE,” with the word “NOT” inside a red prohibition circle. The style is bold, rough-edged, and defiant, evoking a DIY protest aesthetic.

Under Siege: Labour’s Crisis of Vision

Labour won power by promising stability, but what it offers now is paralysis. It has no strategy to counter Farage, no defence against a Tory right fightback, and no imagination to confront the ecological and economic shocks coming fast over the horizon. While Reform sets the agenda and the left reorganises, Starmer retreats into technocratic caution. The government is not leading Britain—it’s managing decline, and doing it badly. Unless Labour finds the courage to confront the forces tearing the country apart, it risks becoming the caretaker of its own collapse.

Following the Pied Piper of Disillusionment

Labour’s embrace of hardline immigration rhetoric isn’t a show of strength but a performance of weakness—an attempt to appease Reform UK’s base while maintaining credibility with big business. By mimicking the far right’s script, Starmer risks alienating the very voters Labour needs, offering border crackdowns instead of the economic transformation that could actually address their grievances.