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A realist oil painting shows a Joan of Arc–like figure in medieval armour standing amid urban chaos. Flames engulf the street, sending black smoke into the air as police and emergency vehicles appear in the background. She raises a banner with a red cross high above her head while holding a sword at her side
Britain

The Free Speech Martyrdom of Lucy Connolly

Keir Starmer’s law-and-order theatrics have handed the far right its new saint: a self-styled free speech Joan of Arc—except this saint didn’t want to be burned, she wanted others to be.

Britain

The Law, the Hotel, and the Vanishing Migrant

Paul Bristow cites the Epping Forest ruling to demand hotel closures for asylum seekers, but offers no plan for what follows. The Conservatives built the hotel system; Labour inherits it; local politicians weaponise planning law while migrants disappear from view.

Keir Starmer

Dawn Raids and Banned Placards

The arrest of a part-time cleaner for sharing Facebook posts backing Palestine Action shows how Britain’s response to Gaza has drifted from foreign policy into domestic repression.

Britain

The Provincial Mussolinis

Farage brings the noise, Starmer brings the law. The country falls apart to the sound of flags snapping and doors slamming while capital quietly clears the till.

Robert Jenrick stands on a ladder attached to a lamppost, giving a thumbs-up while raising a Union Jack flag. The background shows a cloudy sky, rooftops, road signs, and a quiet road stretching into the distance.
Conservative Government

Provincial Mussolini on a Ladder

Robert Jenrick’s Union Jack pantomime isn’t patriotism; it’s a confession of weakness. A dying political class turns to flags and ladders because it has nothing left to offer but theatre.

The International Criminal Court in The Hague, with the blue ICC sign in front of a modern glass building complex.
International Criminal Court

The Court in the Dock: Washington and Tel Aviv vs International Law

By sanctioning International Criminal Court judges and prosecutors, Trump’s America has openly declared that empire stands above the law. Europe and Britain now face a stark choice: defend the court’s independence, or accept a world where justice stops at Washington’s door.

Labour Councils

Planning Permission for Exclusion

The High Court’s ruling in Epping shows how Britain has turned planning law into a border regime, feeding jealous politics of scarcity and erasing the very category of the refugee. Now with Labour councils as willing collaborators.

The Real Arsonists of Social Cohesion

The English disease is back. While Scotland holds the line with civic identity and social solidarity, England is once again the testing ground for far-right mobilisation and state complicity. From hotel sieges in Epping to flag-waving standoffs in Norfolk, this isn’t about deprivation alone. This is nationalism curdled into grievance, stoked by those who know exactly what they are doing. And the only person who benefits from this is the man rubbing his hands together, whispering told you so, told you so, and you all know exactly who that is: Nigel Farage.

A World War I–style sepia-toned recruitment poster featuring a smiling Liz Kendall with shoulder-length wavy brown hair, wearing a grey blazer and white shirt. She points directly at the viewer with a bold, stylised hand in the foreground. Below her, in large black serif text, the poster reads: “YOUR COUNTRY NEEDS YOU.” The design mimics the iconic Lord Kitchener enlistment posters, evoking a sense of patriotic urgency.

Britain’s New Workfare Army: Liz Kendall’s Marching Orders for the Poor

Labour are not offering opportunity, they are outsourcing austerity. Liz Kendall’s call for unemployed young people to join the Armed Forces isn’t a jobs programme, it’s conscription by stealth. The message is clear: pick up a rifle or face the full force of a benefits crackdown. We’ve gone from “levelling up” to shipping out. And if the government can’t promise you housing, dignity or decent pay, it will instead offer you a uniform and a war.

A vintage-style protest poster rendered in grainy halftone with a jaundiced beige and olive green palette. The image shows British soldiers in uniform, in a casual moment during a military inspection. Bold black text beneath reads: “SMILE FOR THE CROWN WHILE YOU OCCUPY THE STREETS.” The design evokes 1968 protest aesthetics with a stark critique of military presence and royal authority.

Who Is the Violence For?

This month, the British state made its position on violence unambiguous: while ex-generals and loyal newspapers led the charge, Parliament followed. The result was clear: Impunity for its own, criminalisation for its critics. In the same month it moved to quash investigations into war crimes in Northern Ireland, it voted to proscribe Palestine Action under terrorism law.

A weathered and torn political poster clings to a rough concrete wall. The poster reads “SOCIALISM OR BARBARISM, 2029?” with the words “SOCIALISM” and “2029?” in bold black and “BARBARISM” in bold red. The edges of the poster are frayed and peeling, suggesting age and neglect.

The Left Breaks Cover: Sultana, Corbyn, and the Case for a New Party — With McDonnell at the Helm?

The Labour Party under Starmer has become a machine for silencing dissent. Abbott, Shaheen, Driscoll, and others have been smeared, blocked, or expelled. The party has moved right on immigration, welfare, protest, and Palestine — and done so proudly. Sultana’s resignation wasn’t a betrayal of Labour values. It was a defence of them. And if a new left party is to be more than symbolic, it needs more than moral clarity. It needs leadership. Corbyn remains the figurehead, but John McDonnell (articulate, disciplined, and trusted) is the one who could anchor this project. He may not want the crown. But that is exactly what makes him the right person to hold it.

A black withered Labour rose

The Art of Losing: Labour’s First Year in Power

Labour’s problem isn’t just that it inherited a broken economy. It’s that it refuses to say so. The party acts like governing is a performance for bond markets and newspaper editors, rather than an act of political leadership. Hard choices are made without explanation. Rollbacks happen without apology. And the public is left wondering: if even Labour doesn’t believe in what it’s doing, why should anyone else?

A cylindrical metal tin filled with bright red paint, sitting on a neutral grey surface. The paint is smooth and glossy, with the tin slightly scuffed, giving a utilitarian appearance.

Red Paint Is Not Terrorism

This is what it comes down to: the Labour government wants to put a group of activists who threw red paint at arms factories in the same legal category as ISIS.

Welfare Over Warfare

As Labour signs off on bombers and benefit cuts, Britain is being reshaped—not by necessity, but by choice. Welfare is being gutted while defence sails on untouched. This isn’t fiscal realism. It’s a war budget in peacetime.