Britain’s War Factories: Building Bombs, Not Homes
Starmer’s weapons pipeline is less about deterring war and more about embedding militarism into the heart of Britain’s economic model.
The rest of the blog
Starmer’s weapons pipeline is less about deterring war and more about embedding militarism into the heart of Britain’s economic model.
Ryan’s Second Strike is a taut, post-Brexit techno-thriller in which privatised warfare meets Cold War ghosts, and the real enemy is the story you’re told to believe.
Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.
Britain doesn’t need a softer Starmer or a greener liberalism—it needs a new party of revolutionary ecosocialism, built by those brave enough to walk out and fight for class power, not manage its decline.
They say prisons are overcrowded, as if the cages are too small. As if the problem is spatial. As if all we need is a few more acres of razor wire and reinforced concrete and the crisis will vanish. But prisons aren’t full because we lack space. They’re full because we lack imagination.
Nigel Farage isn’t the voice of the working class—he’s their grifter-in-chief, selling tax cuts to the comfortable while Labour trails behind him, too timid to name the real enemy.
Diana became a mirror for a country no longer sure of itself, her image absorbing the griefs of a declining empire and turning them into daytime TV.
In a world increasingly captivated by images and representations, the British monarchy finds itself at the epicentre of a growing debate on the role of such institutions in a modern democratic society. As the United Kingdom prepares for the coronation of a new king, it is essential to examine the monarchy’s relevance and compatibility with the values of democracy, fairness, and social justice that define the aspirations of a progressive nation.
Reflecting on the farce of monarchy.