anti capitalist musings

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Bossware

Stop, Go, Smile: The New Discipline of Bossware

From PwC’s colour-coded attendance dashboard to HSBC’s biometric checkpoints and the rise of Algorithmic Affect Management, the new wave of “bossware” represents less an innovation than the latest stage in capital’s long history of making workers legible. What began with the factory bell and the punch clock now extends to our faces, moods, and keystrokes.

Corbynism

The Party of Good Intentions

Zarah Sultana’s interview in Sidecar captures the anger at Labour’s complicity in genocide and austerity, but it risks becoming another broad reformist project, haunted by the ghosts of Corbynism—vulnerable to sect capture, parliamentary illusions, and the same popular-front logic that has historically disarmed the working class.

A satirical cartoon shows a battered wooden puppet painted with the Union Jack dangling limply on strings. The marionette is worn, chipped, and cracked, symbolising a weakened Britain. Behind it loom two large shadowy figures: one in a Nazi uniform, the other resembling Vladimir Putin. Both extend their hands to manipulate the strings, casting an ominous, ghostly control over the puppet.
History

The Faragist Fantasy: Britain Should Have Backed Hitler

Nigel Farage’s TikTok wunderkind wants us to imagine a Britain that never fought Hitler, kept its colonies, and models itself on Bukele’s prison state. This is not contrarianism; it is fascist nostalgia dressed up as common sense.

Donald Trump–like figure dressed in a tuxedo clapping enthusiastically, standing beside a stern Vladimir Putin–like figure holding a chained brown bear. The background is a dark curtain, giving the scene a theatrical, vaudeville atmosphere.
Donald J Trump

The Last Superpowers

Alexander Dugin calls the Trump–Putin summit in Anchorage “splendid,” insisting the US and Russia must find an “understanding as superpowers.” The problem is that this fantasy of bipolar order flatters two declining states while obscuring the real forces shaping the 21st century.

Donald J Trump

Trump’s Civil War Rehearsal

With armed red-state troops patrolling a blue city, Trump is not protecting Washington; he is rehearsing the mechanics of civil war.

A satirical illustration of a grand Gothic-style university building with a large sign out front that reads: “CLOSED TO THE LIKES OF YOU,” highlighting the exclusion of ordinary people from higher education.
Higher Education

Universities Were Never Meant for You

Every August, the right reheats its old contempt for higher education. Their complaint is not about debt or “Mickey Mouse” degrees, it is about closing the gates of knowledge, keeping universities for the dominant class and consigning everyone else to warehouses and call centres.

A black-and-white satirical cartoon depicts a stern Daily Mail journalist dressed as a judge in full wig and robe, holding a gavel in one hand and a sign reading “GUILTY” in the other. He stands on a gallows platform beside a hanging noose, with the caption below reading “JUDGE, JURY AND EXECUTIONER.” The title “DAILY MAIL” looms overhead, suggesting the paper acts as a one-man court of condemnation.
Gaza

Hodges’s Courtroom: Palestine Action on Trial

Dan Hodges’s Mail column denouncing Palestine Action as “terrorists” is not journalism but ideological policing, an attempt to criminalise dissent while excusing the real violence: Britain’s complicity in Gaza’s destruction.

The Migrant Crisis That Isn’t: Fear, Farage, Robinson and the Fantasy of Invasion

Tommy Robinson doesn’t live the life he claims to defend. He parachutes into protest scenes when there’s chaos to film, then jets off to sun himself abroad. He’s not the voice of the working class, he’s a voyeur of decline, turning grievance into spectacle for clicks and cash. What he sells isn’t solidarity. It’s resentment dressed up as nostalgia.

The Macron Fantasy

John Rentoul has never understood the left. A Blairite to his core, he sees politics as something to be managed, not transformed. His call for Starmer to copy Macron isn’t about defeating Farage, it’s about using him. The aim isn’t to inspire, but to frighten voters back into line. Like Macron, Starmer doesn’t oppose the far right. He needs it.

In red ink on textured beige paper, a line of riot police with visors and shields confronts an angry crowd. One masked protester is being pulled back mid-leap. The figures are stylised and simplified, with harsh lines and dramatic motion, evoking urgency and confrontation. In the background, blocky lettering hints at a school building.

The Hotels Are Just the Excuse

The protests outside migrant hotels aren’t spontaneous. They are engineered. Stoked by far-right groups, amplified by the right-wing press, and legitimised by political cowardice, what we’re witnessing is a strategic campaign to turn fear into power. When the police protect anti-racists, it’s called provocation. When the far right throws bottles, it’s “community concern.” The hotels are just the excuse. The real target is the idea that Britain could ever belong to all of us.

The Patriarchy in Uniform: Reform UK’s Law and Order Is a War on Women

When Reform UK’s justice spokesperson declared she would “much rather see a great big strapping male police officer with a female,” she wasn’t just airing a preference. Pochin was laying out a worldview. One where women are too vulnerable to patrol alone, too soft for frontline work, and too inconvenient to be equal. As under Trump, so under Farage: the creeping politics of patriarchy, where power is always male, and women are tolerated only if they stay in their place.

Nigel Farage: The Performance Artist of British Punishment Politics

Farage isn’t offering a plan, this is performance. His “law and order” blitz isn’t costed, credible, or connected to reality. It’s the politics of punishment as spectacle: build more prisons, shout louder, deport faster, sentence longer. No thought to the broken justice system, no answers on prevention or rehabilitation. Just another culture war front for a party with no economic programme and no interest in governing.

The title at the top reads “PUNISHED MORE, PAID LESS”. Below it is a bar chart showing sanction rates by ethnicity: White (3%), Asian (4.4%), Black (6.4%), Mixed (5.3%), Other (3.1%). The caption at the bottom says: “ETHNIC MINORITY CLAIMANTS ARE MORE LIKELY TO BE SANCTIONED. SO MUCH FOR ‘SPECIAL TREATMENT’.”

The £12 Billion Lie

Farage says migrants are draining £12bn in benefits. The government’s own data says the real figure is closer to £3bn, and those he targets are more likely to be sanctioned and underpaid. This isn’t savings. It’s scapegoating.

Hand-painted protest signs displayed against a neutral background. One sign on brown cardboard reads “THEY SAY CUT BACK WE SAY FIGHT BACK” in bold black letters. Another, on black card, reads “NO CUTS TO PIP!” in large white letters. A third sign, painted blue and white, says “WELFARE NOT WARFARE,” with the word “NOT” inside a red prohibition circle. The style is bold, rough-edged, and defiant, evoking a DIY protest aesthetic.

Under Siege: Labour’s Crisis of Vision

Labour won power by promising stability, but what it offers now is paralysis. It has no strategy to counter Farage, no defence against a Tory right fightback, and no imagination to confront the ecological and economic shocks coming fast over the horizon. While Reform sets the agenda and the left reorganises, Starmer retreats into technocratic caution. The government is not leading Britain—it’s managing decline, and doing it badly. Unless Labour finds the courage to confront the forces tearing the country apart, it risks becoming the caretaker of its own collapse.