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The Room for Best

Geoff Dyer’s Homework shows childhood not as innocence, but as class training—plastic toys, unwritten rules, and a welfare state already fraying at the edges.

Pencil drawing inside prison

No More Cells

They say prisons are overcrowded, as if the cages are too small. As if the problem is spatial. As if all we need is a few more acres of razor wire and reinforced concrete and the crisis will vanish. But prisons aren’t full because we lack space. They’re full because we lack imagination.

Urban Wanderings: Keiller’s Cinematic Psychogeography

Patrick Keiller’s Robinson trilogy explores modern Britain through a psychogeographic lens, revealing how landscapes shape collective psychology. The films expose spaces that reflect political and social forces underlying the nation’s fractures.

Painting to represent late capitalism

The System

As the illusion of late-capitalist society shrouds the world, a collective of young radicals emerges, daring to confront prevailing ideologies and carve out an ecosocialist path. Their journey disrupts the hegemonic narrative, unearthing a tale of resistance, interconnectedness, and the unyielding quest for emancipation.