The rest of the blog
Paul Bristow cites the Epping Forest ruling to demand hotel closures for asylum seekers, but offers no plan for what follows. The Conservatives built the hotel system; Labour inherits it; local politicians weaponise planning law while migrants disappear from view.
The arrest of a part-time cleaner for sharing Facebook posts backing Palestine Action shows how Britain’s response to Gaza has drifted from foreign policy into domestic repression.
Farage brings the noise, Starmer brings the law. The country falls apart to the sound of flags snapping and doors slamming while capital quietly clears the till.
Robert Jenrick’s Union Jack pantomime isn’t patriotism; it’s a confession of weakness. A dying political class turns to flags and ladders because it has nothing left to offer but theatre.
By sanctioning International Criminal Court judges and prosecutors, Trump’s America has openly declared that empire stands above the law. Europe and Britain now face a stark choice: defend the court’s independence, or accept a world where justice stops at Washington’s door.
The Alaska talks were not a breakthrough but a trap. A “peace deal” that rewards Russian aggression is appeasement by another name. Ukraine’s fight is for survival, and any settlement must be on its terms—not Moscow’s.
The High Court’s ruling in Epping shows how Britain has turned planning law into a border regime, feeding jealous politics of scarcity and erasing the very category of the refugee. Now with Labour councils as willing collaborators.
The High Court’s ruling on the Bell Hotel in Epping is not a local quarrel but a turning point: councils asserting veto power, judges dismissing statutory duties as time-wasting, Farage and the Tories cheering, and Labour keeping silent. What began as a far-right protest has been laundered into national policy.
The bullet missed, but the image hit. And it’s the image that rules now. Trump, mid-stumble, hand to ear, flanked by agents in suits. It has already been cropped, filtered, multiplied. Not just a moment, but a message: the strongman under fire, the martyr made live. The spectacle doesn’t distract from the violence; it packages it. Sells it. Projects it across TVs, phones, and tablets until belief hardens into doctrine. This is what power looks like in the age of algorithmic memory: not stability, but survival on camera.
J.D. Vance isn’t merely Trump’s Vice President, he’s the intellectual architect of a disciplined, reactionary project intent on dismantling democracy at home and abroad.
The consolidation of reactionary power in the United States is not accidental or chaotic but the result of a long-term, well-funded strategy to entrench minority rule, an argument laid bare in Owned by Eoin Higgins and Money, Lies, and God Behind the Movement to Destroy American Democracy by Katherine Stewart.