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Book Review

The Woman Who Wasn’t There

Caroline Lane wasn’t looked for because the system didn’t need to see her. The system still got paid. That’s the quiet scandal at the heart of Saltwater Mansions. It begins as a mystery, a vanished woman, a locked flat, a pile of unopened post, but becomes something stranger and sadder: an inquiry into how a person can disappear while everything around them keeps functioning. David Whitehouse isn’t writing true crime. He’s writing about the grief we ignore, the relationships we don’t ask about, the neighbours we forget to see. What remains is not just absence, it’s a mirror.
Britain

The Migrant Crisis That Isn’t: Fear, Farage, Robinson and the Fantasy of Invasion

Tommy Robinson doesn’t live the life he claims to defend. He parachutes into protest scenes when there’s chaos to film, then jets off to sun himself abroad. He’s not the voice of the working class, he’s a voyeur of decline, turning grievance into spectacle for clicks and cash. What he sells isn’t solidarity. It’s resentment dressed up as nostalgia.

A man stands in front of a battered white minivan parked on an empty asphalt lot, holding a shotgun and aiming skyward. The van’s door is open, debris scattered inside. The sky is overcast and the scene feels desolate. Text above reads “SOVEREIGN” with festival laurels and cast names including Nick Offerman and Jacob Tremblay. The overall tone is bleak, tense, and distinctly American.
Film

“As long as I can keep the chains off”

A man, his car, and his gun. This is pure Americana, not the myth of reinvention, but the fantasy that remains when everything else is lost. Sovereign begins with poverty. The ideology comes later.
Jeremy Corbyn

The Macron Fantasy

John Rentoul has never understood the left. A Blairite to his core, he sees politics as something to be managed, not transformed. His call for Starmer to copy Macron isn’t about defeating Farage, it’s about using him. The aim isn’t to inspire, but to frighten voters back into line. Like Macron, Starmer doesn’t oppose the far right. He needs it.

Exporting Jobs, Importing Virtue: A Marxist Critique of Gary Smith’s Net Zero Position

Gary Smith says Britain’s net zero policy has exported jobs and imported virtue. But what he’s really defending isn’t working-class power, this is fossil capital in a hard hat. Decarbonisation without class politics is a gift to Farage. But the answer isn’t more oil. It’s public ownership, planning, and a transition built by workers, not against them.

A vintage-style halftone illustration in red, beige, and black shows a chaotic political rally scene displayed across five devices: an old CRT television, a tablet, and three smartphones. The central image on each screen depicts former President Donald Trump being escorted by Secret Service agents through a crowd of supporters. The distressed, grainy texture and muted tones evoke a 1968 protest aesthetic, emphasising media saturation and political spectacle.

Death of the Real

The bullet missed, but the image hit. And it’s the image that rules now. Trump, mid-stumble, hand to ear, flanked by agents in suits. It has already been cropped, filtered, multiplied. Not just a moment, but a message: the strongman under fire, the martyr made live. The spectacle doesn’t distract from the violence; it packages it. Sells it. Projects it across TVs, phones, and tablets until belief hardens into doctrine. This is what power looks like in the age of algorithmic memory: not stability, but survival on camera.

Vance speaking at the 2024 People's Convention

The Most Dangerous Man in America

J.D. Vance isn’t merely Trump’s Vice President, he’s the intellectual architect of a disciplined, reactionary project intent on dismantling democracy at home and abroad.

Dominion

The consolidation of reactionary power in the United States is not accidental or chaotic but the result of a long-term, well-funded strategy to entrench minority rule, an argument laid bare in Owned by Eoin Higgins and Money, Lies, and God Behind the Movement to Destroy American Democracy by Katherine Stewart.