anti capitalist musings

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Accelerationism

Trump, Land, Dugin

Trump is not Land’s monarch nor Dugin’s tsar. He is their degraded symptom: the parody of a fascist synthesis of technology and tradition, replayed in the register of meme stock and casino populism.

Bossware

Stop, Go, Smile: The New Discipline of Bossware

From PwC’s colour-coded attendance dashboard to HSBC’s biometric checkpoints and the rise of Algorithmic Affect Management, the new wave of “bossware” represents less an innovation than the latest stage in capital’s long history of making workers legible. What began with the factory bell and the punch clock now extends to our faces, moods, and keystrokes.

Corbynism

The Party of Good Intentions

Zarah Sultana’s interview in Sidecar captures the anger at Labour’s complicity in genocide and austerity, but it risks becoming another broad reformist project, haunted by the ghosts of Corbynism—vulnerable to sect capture, parliamentary illusions, and the same popular-front logic that has historically disarmed the working class.

A satirical cartoon shows a battered wooden puppet painted with the Union Jack dangling limply on strings. The marionette is worn, chipped, and cracked, symbolising a weakened Britain. Behind it loom two large shadowy figures: one in a Nazi uniform, the other resembling Vladimir Putin. Both extend their hands to manipulate the strings, casting an ominous, ghostly control over the puppet.
History

The Faragist Fantasy: Britain Should Have Backed Hitler

Nigel Farage’s TikTok wunderkind wants us to imagine a Britain that never fought Hitler, kept its colonies, and models itself on Bukele’s prison state. This is not contrarianism; it is fascist nostalgia dressed up as common sense.

Donald Trump–like figure dressed in a tuxedo clapping enthusiastically, standing beside a stern Vladimir Putin–like figure holding a chained brown bear. The background is a dark curtain, giving the scene a theatrical, vaudeville atmosphere.
Donald J Trump

The Last Superpowers

Alexander Dugin calls the Trump–Putin summit in Anchorage “splendid,” insisting the US and Russia must find an “understanding as superpowers.” The problem is that this fantasy of bipolar order flatters two declining states while obscuring the real forces shaping the 21st century.

Donald J Trump

Trump’s Civil War Rehearsal

With armed red-state troops patrolling a blue city, Trump is not protecting Washington; he is rehearsing the mechanics of civil war.

A satirical illustration of a grand Gothic-style university building with a large sign out front that reads: “CLOSED TO THE LIKES OF YOU,” highlighting the exclusion of ordinary people from higher education.
Higher Education

Universities Were Never Meant for You

Every August, the right reheats its old contempt for higher education. Their complaint is not about debt or “Mickey Mouse” degrees, it is about closing the gates of knowledge, keeping universities for the dominant class and consigning everyone else to warehouses and call centres.

Donald Trump–like figure dressed in a tuxedo clapping enthusiastically, standing beside a stern Vladimir Putin–like figure holding a chained brown bear. The background is a dark curtain, giving the scene a theatrical, vaudeville atmosphere.

The Last Superpowers

Alexander Dugin calls the Trump–Putin summit in Anchorage “splendid,” insisting the US and Russia must find an “understanding as superpowers.” The problem is that this fantasy of bipolar order flatters two declining states while obscuring the real forces shaping the 21st century.

Trump’s Civil War Rehearsal

With armed red-state troops patrolling a blue city, Trump is not protecting Washington; he is rehearsing the mechanics of civil war.

A satirical political cartoon shows a caricature of Donald Trump in a suit and blue tie on the left, with a long red carpet unfurling from his open mouth like a tongue. On the right, a caricature of Vladimir Putin in a dark suit and tie steps confidently onto the carpet, looking toward Trump with a smug expression. The background is plain and muted, drawing focus to the exaggerated figures and the symbolic red carpet.

Fawning to Putin in Alaska

Trump’s Alaska summit with Putin wasn’t diplomacy. It was pure theatre. No ceasefire, no deal, just a spectacle in which Trump played host, rolling out the red carpet for Putin while Ukraine burned in the background.

Grainy black-and-white image showing a masked, heavily armed ICE officer in tactical gear dominating the foreground, with other armed officers and a man in a white shirt filming them in the blurred background, creating a tense, menacing atmosphere.

Newsom Just Got a Lesson in How Authoritarianism Works. Now He Needs to Act

Trump didn’t send dozens of masked federal agents to Little Tokyo to enforce the law, he sent them to send a message. If Newsom really means it when he says California won’t be intimidated, the answer isn’t just outrage. It’s cutting every state pipeline that makes ICE’s work fast, easy, and invisible.

Sepia-toned image styled like a Byzantine religious icon, showing two men in front of a striped flag. The man on the left is blurred in profile, gesturing with one hand, while the man on the right is reimagined with the features of a traditional haloed Christ figure, dressed in flowing robes, seated in a high-backed chair, and radiating light from a circular halo.

JD Vance’s Gospel of Hypocrisy

JD Vance’s outrage isn’t about defending human rights. This is the religious right’s export strategy, dressing up theocratic politics as “freedom of conscience” and using America’s human rights report as a battering ram against the separation of church and state.

Stencil-style protest image in red and black showing a close-up of a man’s face with eyes closed. A cloth gag covers his mouth, printed with the words “CRITICISM OF ISRAEL IS NOT ALLOWED” in bold, black, uppercase letters.

The New Heresy: When Criticising Israel Becomes a Thought Crime

What’s being rolled out at Northwestern and other campuses is not a programme to protect Jewish students from abuse. It’s a mechanism to discipline campus speech, to teach students that anti-Zionism is taboo and that political critique must defer to geopolitical orthodoxy. It doesn’t mention the Nakba. It doesn’t mention the occupation. It doesn’t mention that many Jews oppose Zionism. These trainings don’t fight antisemitism, they flatten it into a tool of state ideology.

A cracked wall bears the words “Krome Transitional Center” above a row of four old CRT televisions. The largest screen shows the hooded, outstretched figure from the Abu Ghraib torture photos, standing on a cardboard box with wires attached to his fingers. The other monitors display static. Exposed pipes run down the wall, evoking a bleak, institutional atmosphere.

Kneel and Eat: America’s War on Migrants

Reading this made me feel sick. It brought back the images from Abu Ghraib, its black hoods, outstretched arms, the grotesque theatre of domination. Only this time, it’s not Baghdad in 2003 but Miami in 2025. Don’t look away: this is what America does to the unwanted. And Britain’s not far behind.