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Close-up of a British two pence coin, copper-coloured, showing a heraldic lion in a crosshatched frame with fleur-de-lis corners and the words “TWO PENCE” at the top.
Labour Government

Rachel Reeves and the 2p Trap

The chancellor’s proposed income tax shuffle is clever accountancy but toxic politics — a pledge-break disguised as fiscal discipline, and proof that Labour has trapped itself in rules it cannot escape.

An illustration of a red fish (Herring) in profile against a pale background, with the words “RED TERROR” in bold black capitals beneath it.
Charlie Kirk

Red Herring, Not Red Terror

David Frost calls it a new “Red Terror.” The truth is plainer: it’s the Right’s wars, coups and crackdowns that have spilt the deepest blood in politics.

Donald J Trump

The Invention of the Narco-Terrorist

Trump’s latest “kinetic strike” killed three unknown Venezuelans he labelled “narco-terrorists.” The phrase is not law but incantation, a word that strips away humanity and legitimises killing. From Vietnam body counts to Obama’s “signature strikes,” America has always named its enemies into existence, and into death.

Britain

Beyond Creeping Fascism

To call Robinson’s rally “populist” or “right-wing” is to miss the point. Fascism doesn’t require every marcher to be a coherent ideologue; it requires a mass, a scapegoat, and leaders prepared to turn grievance into violence. That is what we saw in London.

Screenshot of a Telegraph article by Camilla Tominey titled “The killing of Charlie Kirk shows just how poisonous Left-wing politics now is,” with the subheading “Speech has consequences – we have once more learnt that lesson from the horrifying events in Utah.” Below the headline is a photo showing two people in jeans holding a poster with a portrait of Charlie Kirk.
Camilla Tominey

Tominey’s doublethink

Camilla Tominey’s sainthood act for Charlie Kirk trades politics for piety. The Right already owns the machinery (press, finance, courts, police) and Kirk was part of the drive shaft. A death certificate doesn’t wash clean a career built on making violence respectable.

Front cover of Haywire by Andrew Hindmoor

Haywire Britain

Andrew Hindmoor’s Haywire offers a quietly devastating account of Britain’s long crisis, from Blair’s stage-managed optimism to Truss’s market-induced implosion, tracing how New Labour’s betrayals laid the foundations for a state that can no longer govern itself.

Authoritarian Realism

Kristi Noem’s visit to El Salvador’s mega-prison wasn’t about enforcing policy, it was about staging power for the camera in a theatre of authoritarian realism.

The Tattooed Infidel at the Pentagon

Pete Hegseth’s rise to Defence Secretary marks the moment Christian nationalism stopped playing insurgent and started running the world’s most powerful war machine.

Rachel Reeves delivering her spring statement in the Commons. Photograph: House of Commons

This is Austerity

Rachel Reeves’s Spring Statement confirms what many suspected: Labour has embraced austerity not as necessity, but as ideology.

Advert for the stage version of Good Night, Good Luck

Good Night and Thank you

Trump doesn’t defeat his opponents; he casts them, turning liberal conscience into spectacle, and transforming critique into the very script that keeps him centre stage.

Owen Copper and Erin Doherty in a still image from the Netflix series Adolescence.

The Boys Are Not Alright

A Minister for Men cannot rebuild the infrastructures of solidarity that were torn apart by decades of neoliberal consensus.

Fighting Oligarchy graphic

Touring Against the Apocalypse

While Trump governs and the Democratic Party fragments, Sanders and AOC offer mass therapy disguised as mobilisation, nostalgia in place of a plan.