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A square-cropped image featuring the bold black text "THE SAMSON OPTION" in all capital letters on a cream background. The second "O" in "OPTION" is stylised with the upper half containing the Israeli flag and the lower half the American flag, symbolising the book’s geopolitical focus
Iran

The Bomb in the Basement, the Bomb in the Mountains: Israel, Iran, and the Nuclear Hypocrisy of the West

The next state to cross the nuclear threshold won’t be doing anything new. It’ll be following the path Israel already took—building the bomb in secret, shielded by silence and strategic utility. The real precedent was set decades ago in the Negev. That’s the hypocrisy at the heart of the so-called international order: one bomb is a threat to civilisation, the other a pillar of it. This isn’t about non-proliferation. It’s about who gets to own the apocalypse.

A stylised, screen-printed poster shows the Spanish PM in a suit walking past large NATO emblems on bold, flat panels. The image is rendered in a 1968 protest aesthetic with a grainy texture and a limited palette of red, navy blue, and beige. The composition evokes vintage political posters, with stark contrast and minimal detail emphasising the symbolism of militarism and conformity.
Donald J Trump

Only Spain Has Got It Right

At The Hague summit, NATO committed to spending 5% of GDP on defence and security by 2035—a figure with no strategic rationale and every sign of submission to Donald Trump. Only Spain said no. Pedro Sánchez broke ranks, arguing that gutting public services to fund rearmament was neither economically justifiable nor politically defensible. In doing so, he exposed what the rest of Europe won’t admit: this isn’t about defence. It’s about deference. And someone had to refuse.

A stencil-style, red monochromatic illustration split vertically into two scenes. On the left, three masked or hooded figures—one wearing a tactical vest—stand beside a Ford SUV. On the right, outside a Home Depot store, two shoppers push a trolley while another stands nearby. The entire image is rendered in a bold red on a beige background
ICE

Rendition Comes Home

Under Trump and Stephen Miller, extraordinary rendition has been refashioned for domestic use—not to fight terrorism, but to disappear the vulnerable. There are no warrants. No charges. No destinations. Just men in unmarked vans, masked and armed, taking people who often never come back. This isn’t immigration enforcement. It’s the logic of the War on Terror—secret transfers, indefinite detention, legal disappearance—turned inward. The spectacle is the point. The fear is the policy.

A menacing, cartoonish figure in a turban and beard glares forward, baring claw-like hands. The background features silhouetted Islamic architecture—minarets and domes—framing the central figure. The design mimics Cold War–era Western fear-mongering visuals.

From Reds to Revolutionary Guards: The New Bogeyman of Empire

By the time Hollywood started scripting Iran as its newest bogeyman, the Cold War playbook had already been written. The turbans replaced fur hats, the chants swapped in for Russian-accented threats, but the role remained the same: the unknowable enemy, forever at the gates. From Argo to Homeland, Iran is less a country than a plot device—violent, duplicitous, irredeemably foreign. Yet in the shadow of this narrative, exiled Iranian filmmakers are doing something far more dangerous than propaganda: they’re telling the truth.

They Meant It

Read side by side, Karen Hao’s Empire of AI and Keach Hagey’s The Optimist show that what Silicon Valley sells as salvation—artificial general intelligence, safety, abundance—is in fact a system of extraction and control, built on scraped data, outsourced labour, and centralised power, with Sam Altman not merely as its architect, but as its most convincing prophet.

doge.gov home page as it appeared in early February 2025

Algorithmic Authoritarianism

The age of algorithmic authoritarianism is here: governance has been outsourced to billionaire-controlled social media and AI systems that manipulate reality, suppress dissent, and enforce ideological obedience through predictive algorithms and digital surveillance.

Another Tool of Exploitation

The rise of Artificial General Intelligence (AGI) isn’t a step toward human progress, it’s a weapon for capital, designed to intensify exploitation, erase jobs, and cement the power of the dominant class.

NVIDIA crystal logo cube

The Threat of Artificial Superintelligence

The development of artificial superintelligence (ASI) brings with it both great promise and great risk for humanity. This post explores the threats that unchecked ASI poses in concentrating power and wealth, as well as the need for deliberate governance and democratisation of this technology to harness its benefits for the global public good.

Behind the red eye

The inexorable march of technological progress casts a shadow over humanity’s future, as artificial minds made for war threaten to surpass and subjugate their mortal creators.

Artificial Intelligence

Don’t Fear AI, Fear Capitalism

As we march towards an era of technological innovation, driven by artificial intelligence, it’s easy to be fearful of the machines. But the real threat isn’t the AI itself; it’s the system that created and manipulates it for its own gain. Capitalism, with its insatiable hunger for wealth and power, poses the greatest danger to humanity.