What Comes After War for Iran?
Regime Collapse, Revolution—or Something Worse?
The rest of the blog
Regime Collapse, Revolution—or Something Worse?
Europeana is what happens when history loses faith in its own narrative. Part bureaucratic fever dream, part Adam Curtis montage, it recites the atrocities and absurdities of the twentieth century in a tone so flat it becomes damning.
There are no responsible nuclear powers—only powers with the bomb and those without—and by explaining the science while ignoring the politics, Frank Close turns history’s most destructive weapon into a tale of tragic inevitability rather than state terror.
Israel’s assault on Iran wasn’t an act of self-defence or solidarity with the oppressed—it was a theatre of imperial dominance, applauded by the West, sold as morality, and carried out with the full force of a nuclear-backed settler state.
Israel’s strike on Iran is not self-defence—it is the brutal enforcement of a global hierarchy, where some states may possess the bomb and others must die for trying.
The mob lit the match, but it was the right-wing press that soaked the ground and stood back to watch it burn.
On Andor, Class Struggle, and Watching Rebellion Under Trumpism
Why were we laughing? From the crumbling walls of Rising Damp to the locked gates of Porridge, from the clenched class tension of The Likely Lads to the surreal paranoia of Reggie Perrin, the golden age of the British sitcom was never just about gags. It was about containment. These were shows about men—white, working class, often thwarted, trapped in rooms they didn’t build but could never leave. They weren’t sitcoms so much as comedies of decline.
Watching Severance, I couldn’t help wondering if we’re already living it, split between the person we are at work and who we are the rest of the time, with capitalism quietly stealing the best parts of us.
Full of unflinching realism, Adolescence is a harrowing exploration of justice, masculinity, and radicalisation, told in relentless real time. This review contains spoilers.
The ruins Owen Hatherley documented over a decade ago, of modernist ambition, of public housing, of a Britain that once believed in itself, have only deepened, and with a new New Labour government poised to repeat the same failed housing policies, the cycle of speculation, privatisation, and social cleansing shows no sign of ending.
The Manson murders have long been framed as the dark collapse of the 1960s dream, but Errol Morris’s Chaos: The Manson Murders suggests a more unsettling possibility, that the violence was not the product of countercultural excess, but of a deeper, hidden war waged by the state against the radical potential of the era.
Apple TV+’s “Severance” uses Marxist theory and hauntology to reveal capitalism’s relentless assault on worker consciousness and human dignity.
A review of the recently shown BBC Scotland documentary series ‘The Hunt for Bible John’.