anti capitalist musings

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Donald J Trump

From Fordism to Fascist Nostalgia

There was a time when the production line ordered more than goods, it ordered life. Work meant wages, wages meant stability, and stability gave the illusion of progress. That was Fordism. What remains now is the shell of that promise, retrofitted as nationalist fantasy. The factory is gone, but its myth has been repurposed. Not to build, but to blame.

Chris Phelp

The Politics of Fear in Opposition

Philp’s not doing politics, he is doing panic. Jenrick’s dragging the whole Tory lot further right, and this is what’s left: no ideas, no plan, just enemies. Same fear, different headline.

A grainy, black-and-white brick wall with a faded Pride flag poster pasted in the centre. Spray-painted across the flag in bold red letters are the words “NEUTRALITY = COMPLICITY”. Below, in black stencilled text, it reads “TRANS RIGHTS ARE HUMAN RIGHTS”.
Culture War

Against the Ruling: Pride, Policing, and the Politics of Supposed Impartiality

Neutrality in the face of injustice is not impartiality. This is complicity. The court’s ruling isn’t about keeping police out of politics; it’s about appeasing a reactionary movement that wants trans people pushed from public life. Today it’s Pride. Tomorrow it’s the right to celebrate Eid, to march for Black lives, to speak up for Palestine. The message is clear: visibility is permitted only for the unthreatening.

At the top, a stylised Doomsday Clock shows the time at 89 seconds to midnight, its right edge crumbling into scattered debris. Below, a tattered folder labelled “EPSTEIN FILES” lies tilted on the ground, next to a worn red MAGA hat. The entire composition is in grainy sepia tones with strong black and red accents, evoking urgency and political decay.
Alexander Dugin

Dugin Watch: Delay Is Not Peace, Dugin’s Fifty-Day Fever Dream

Dugin doesn’t need Trump to lead anymore. He just needs him to stall. The real project now is building a soft-theocratic death cult that prays for collapse but never acts. Spectators waiting for revelation, not revolution. Fifty days to Armageddon. Maybe. Maybe not. That’s the point.

The title at the top reads “PUNISHED MORE, PAID LESS”. Below it is a bar chart showing sanction rates by ethnicity: White (3%), Asian (4.4%), Black (6.4%), Mixed (5.3%), Other (3.1%). The caption at the bottom says: “ETHNIC MINORITY CLAIMANTS ARE MORE LIKELY TO BE SANCTIONED. SO MUCH FOR ‘SPECIAL TREATMENT’.”
Immigration

The £12 Billion Lie

Farage says migrants are draining £12bn in benefits. The government’s own data says the real figure is closer to £3bn, and those he targets are more likely to be sanctioned and underpaid. This isn’t savings. It’s scapegoating.

A stylised graphic illustration of a modern red London double-decker bus on Route 24 to Pimlico, set against a backdrop of classical city architecture and a London Underground sign. The image uses a bold 1968 protest-era colour scheme of red, beige, yellow, and black, with minimalistic, flat shapes evoking vintage political poster design.

London Is Not Over—You Just Don’t Belong in It

Matt Goodwin’s claim that “London is over” isn’t analysis, it’s a panic attack in column form. Behind the talk of pints and train delays lies the same tired script the Mail rehashes every few weeks, just in time for its readers to rage over their cornflakes. Crime becomes a cipher for immigration, anecdote stands in for data, and the city’s diversity is framed as an existential threat. But what really offends Goodwin isn’t decline—it’s that London no longer looks or sounds like him.

A stylised graphic in a 1968 protest-poster aesthetic shows a hooded figure silhouetted in black, arms outstretched, standing before a fiery red and white explosion. The background is highly textured with grainy, distressed effects. In the bottom right, bold red and black block capitals read: “BRITAIN’S POGROM LOGIC.”

Britain’s Pogrom Logic

The mob lit the match, but it was the right-wing press that soaked the ground and stood back to watch it burn.

Pencil drawing inside prison

No More Cells

They say prisons are overcrowded, as if the cages are too small. As if the problem is spatial. As if all we need is a few more acres of razor wire and reinforced concrete and the crisis will vanish. But prisons aren’t full because we lack space. They’re full because we lack imagination.

Authoritarian Realism

Kristi Noem’s visit to El Salvador’s mega-prison wasn’t about enforcing policy, it was about staging power for the camera in a theatre of authoritarian realism.

A City in Fear

A review of the recently shown BBC Scotland documentary series ‘The Hunt for Bible John’.