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A vivid red and orange photograph of a nuclear explosion during Operation Upshot-Knothole. A massive fireball and mushroom cloud dominate the image, illuminating the night sky. A steel test tower is visible in front of the blast, and silhouetted Joshua trees and human figures can be seen in the foreground, emphasising the scale and intensity of the detonation.

Destroy Everything, Explain Nothing

There are no responsible nuclear powers—only powers with the bomb and those without—and by explaining the science while ignoring the politics, Frank Close turns history’s most destructive weapon into a tale of tragic inevitability rather than state terror.

Shock and Awe, but for Who?

Israel’s assault on Iran wasn’t an act of self-defence or solidarity with the oppressed—it was a theatre of imperial dominance, applauded by the West, sold as morality, and carried out with the full force of a nuclear-backed settler state.

A stylised graphic in a 1968 protest-poster aesthetic shows a hooded figure silhouetted in black, arms outstretched, standing before a fiery red and white explosion. The background is highly textured with grainy, distressed effects. In the bottom right, bold red and black block capitals read: “BRITAIN’S POGROM LOGIC.”

Britain’s Pogrom Logic

The mob lit the match, but it was the right-wing press that soaked the ground and stood back to watch it burn.

Front cover of Scorched Earth showing a lone soldier walking across a barren landscape.

The Empire Fights Back

The Second World War, as Scorched Earth recounts it, was colonial in its origins, genocidal in its prosecution, and imperial in its aftermath.

The End of the Long 20th Century

The long 20th century has ended, not with a transition to something new, but with the collapse of what once was, neoliberalism has failed, but nothing has yet replaced it, and in the absence of a left alternative, the far right alone moves to seize the ruins.

Front cover of Haywire by Andrew Hindmoor

Haywire Britain

Andrew Hindmoor’s Haywire offers a quietly devastating account of Britain’s long crisis, from Blair’s stage-managed optimism to Truss’s market-induced implosion, tracing how New Labour’s betrayals laid the foundations for a state that can no longer govern itself.

Neil Faulkner: The Historian as Revolutionary

I knew the late Neil Faulkner, and I have always meant to review his last book; he was a storyteller, a fighter, and one of the great Marxist historians, someone who could hold a room and remind you that history is not past but struggle.

Front cover of Munichs snipped to fit.

David Peace’s Munichs

David Peace’s Munichs is not just a novel about the Munich air disaster, it is a novel about how tragedy lingers, how history is shaped in grief and uncertainty, and how disaster, in the absence of instant news, once unfolded in echoes and silence.

A photograph of a wall on Castor Church which show Roman bricks as part of the construction.

A City Between

Peterborough lies on the edge of the Fens, a city without hills, shaped by wind that moves unhindered across the flatlands. It is a place that resists definition, constantly reshaped, rebuilt, and erased, where history lingers in fragments and memory holds more permanence than the streets themselves.

A portrait of Karl Marx as if painted by Roy Lichtenstein

Althusser’s Theory of History Today

In this post, I look at Althusser’s theory of history, why it’s still important and how it can help us understand the complicated social structures of today. By looking at modern examples like the rise of tech giants, the debate over climate change, and the rise of populism, we can see how Althusser’s ideas still give us important insights into how economic, political, and ideological forces work together to shape our world.